Culture Cinema & Tv Show reviews

Maid

Maid
Maid | Show review

Overwhelming in more ways than one, Maid sees Margaret Qualley play Alex, a mother who suffers at the hands of her alcoholic boyfriend’s verbal and emotional abuse. As she comes to terms with her situation, she begins to fight and move forward for the sake of her daughter. The series affords complex layers to both the victim and the abuser, offering small glimpses into the lives of domestic abuse victims. All of Alex’s ups and downs stir varying degrees of emotion within the viewer as one becomes invested in both her successes and failures.

She is a very likeable protagonist, largely down to Qualley’s own personal charm. However, the writing for the character lacks a lot of fundamental personality traits: while it’s understandable that her initial presentation is awkward because, as the series progresses, she becomes stronger and more assertive, this only works if there’s a distinct difference between her current passivity and how she’s presented in the flashbacks. As it stands, there’s not much distinction – she’s equally as bland and one-note then as she is now.

The moments where Alex shines brightest are when she’s interacting with other female characters. She forms interesting relationships with them, whether in the fun heist-like banter she has with Danielle or the reverse parent-child dynamic she has with Paula, her mother (Andie MacDowell). These interactions are the core of the series; they surprise with unexpected humour, and create tone in otherwise dull stretches. The series’s strongest highlight is definitely the bonds formed, and how strongly female relationships are presented.

Retrospective storytelling provides the main structure for the narrative, with camera angles in flashbacks alluding to key moments in Alex’s life. This allows the audience to truly understand her perspective without too much verbal exposition. That said, these angles are at times inconsistent, sometimes showcasing events through her eyes, elsewhere through an outsider perspective. Furthermore, these little snippets make the turn of events and roles of specific characters down the line easier to guess. This can have the effect of downplaying the intensity of the experience. But all these minor inconveniences cannot compare to how well the form works to deliver the story, which is what makes Maid an overall worthwhile watch.

Mae Trumata

Maid is released on Netflix on 1st October 2021.

Watch the trailer for Maid here:

More in Shows

Anne Hathaway steps into pop stardom in new trailer for David Lowery’s Mother Mary

The editorial unit

Jennifer Lopez takes centre stage in first trailer for Kiss of the Spider Woman

The editorial unit

Gillian Anderson and Hannah Einbinder lead Jane Schoenbrun’s eerie new horror Teenage Sex and Death at Camp Miasma

The editorial unit

Michael B Jordan and Juno Temple trade places in Netflix’s wild new animated comedy Swapped

The editorial unit

John Travolta takes to the skies with directorial debut Propeller One-Way Night Coach at Cannes 2026

The editorial unit

The Super Mario Galaxy Movie

Christopher Connor

Nicola Walker and Jemaine Clement lead messy new Disney+ comedy Alice and Steve

The editorial unit

Lee Cronin’s The Mummy promises a darker, more unsettling reinvention of the horror classic

The editorial unit

“A really good friend can be like a mirror to you”: Nicola Coughlan, Lydia West and Camilla Whitehill on Big Mood season two

Antonia Georgiou