Culture Art

Das Institut: Kerstin Brätsch and Adele Röder at the Serpentine Sackler Gallery

Das Institut: Kerstin Brätsch and Adele Röder at the Serpentine Sackler Gallery
Das Institut: Kerstin Brätsch and Adele Röder at the Serpentine Sackler Gallery | Exhibition review

Visit the Serpentine Sackler Gallery in the next few months and prepare to be greeted by a pair of flashing neon breasts (Breast, Röder, 2015). Das Institut has taken over this historic gallery space with a distractingly varied collection of works and artists.

This is the first major UK exhibition for artistic duo Kerstin Brätsch and Adele Röder. Though the New York/London-based pair practise separately they have, since 2007, been collaborating as Das Institut. This is no normal partnership – more of a mutable collective. Resisting the art market’s mania for individual branding, the pair invite others to respond to their work within the exhibition space. Thus, Solar Body Prints (2013/2014) by Röder is blanketed in a colour wash from gels stuck to the gallery skylights by Brätsch, all accompanied by the intense crescendo of Sergei Tcherepnin’s sound installation (Flame Creatures, 2015).

Despite rejecting the artist’s identity as unimportant, Das Institut’s physical presence is felt throughout, their bodies the subject of their work. In keeping with the human body theme, the viewer becomes part of the performance with continued commentary on the mind’s subliminal reaction to the artwork presented. This refreshing ambivalence toward personal status – whether as author, subject or object – comes as part of a resistance to the single narrative in general. Though commendable in theory, in practice this all becomes a bit of a muddle. Shifting between different scales and media, artists and subjects, the visitor may well leave feeling nothing more than confused.

Dismissing the celebrity of identity is all well and good. But, in partnership with rising fame – the not so secretive pseudonym of Das Institut gracing the walls of the famed Serpentine Gallery – this romantic ideal seems a little droll. Nonetheless, the playful attitude of Das Institut’s work is attractive and the message they want to spread certainly worth a listen.

Lorna Cumming-Bruce

Das Institut is at the Serpentine Sackler Gallery from 3rd March until 14th May 2016, for further information visit here.

More in Art

Richard Dadd: Beyond Bedlam at The Royal Academy

James White

The Line invites Londoners to explore its free outdoor art trail this summer

The editorial unit

Clare Woods to transform Pitzhanger Manor with new exhibition Garden Without Seasons

The editorial unit

Serpentine to stage major Amar Kanwar exhibition featuring new film installation

The editorial unit

Royal Academy to stage first major Richard Dadd retrospective in more than 50 years

The editorial unit

Luminiscence London at Westminster Cathedral

Cristiana Ferrauti

Frida: The Making of an Icon at Tate Modern

James White

Stories – Brought to Life at Frameless

Cristiana Ferrauti

Henry Moore: Monumental Nature at Kew Gardens

Cristiana Ferrauti