Film festivals London Film Festival 2016

Le Voyage de Fanny (Fanny’s Journey)

London Film Festival 2016: Le Voyage de Fanny (Fanny’s Journey) | Review

A World War II drama that highlights the plight of Jewish children during the Nazi occupation of France, Le Voyage de Fanny (Fanny’s Journey) is a moving story about a terrifying voyage taken to escape capture by the Gestapo and to reach a safe haven. At a boarding school in a French neutral zone, a group of teachers are warned of a Nazi raid and attempt to flee with their students to another school in Italy, with the young ones given false passports and new identities.

Directed by Lola Doillon, the piece touches on the tragic events that took place during this era, made far more poignant because children are the main characters. Charmingly portrayed, they are spirited and courageous, particularly the 12-year-old protagonist Fanny (Léonie Souchaud), who – due to their teacher, Madame Forman (Cecile De France) encountering trouble – is given the daunting role of leading the group of youngsters while they are in great danger. She is told “if you are scared, pretend otherwise for the sake of the others.” Although resistant at first, in the face of crisis, Fanny shows courage, ingenuity and leadership.

It does seem at times as though some scenes have slightly Sound of Music-type elements and a softer focus on a very chilling period in history. As escapism is a human tendency, perhaps Doillon believed presenting a less harsh version of the reality would be more palatable for audiences. However, the portrayal of childhood innocence serves as a contrast to the horrors of the Holocaust and a reminder that children were also forced to suffer terror, torture and murder – made more horrifying because of their guilelessness and because the young are supposed to be protected.

While all the actors are very good, young Souchaud – a relative newcomer – is excellent as Fanny, and De France performs beautifully as her strong, determined schoolmistress. Elie (Victor Meutelet) is well played as the optimistic but naïve teenage boy who wants to enlist to fight the Nazis. Pierre Cottereau’s cinematography is superb in its echoing of tension, fear and claustrophobia through the use of tight camera angles and close-ups. In summary, Le Voyage de Fanny (Fanny’s Journey) is a well-crafted, heartbreaking film, showing that even children are capable of tremendous courage and resourcefulness in the face of dire circumstances.

Catherine Sedgwick

Le Voyage de Fanny (Fanny’s Journey) does not have a UK release date yet.

For further information about the 60th London Film Festival visit here.

Read more reviews from the festival here.

Watch the trailer for Fanny’s Journey here:

More in Film festivals

Red Sea International Film Festival 2025: Giant

Laura Della Corte

“It’s really complicated. It’s really hard if you put yourself in his shoes”: Nawaf Al Dhufairi, Raghad Bokhari and Lana Komsany on Hijra at Red Sea International Film Festival 2025

Laura Della Corte

“Why didn’t I raise my voice for the Rohingya people?”: Akio Fujimoto on Lost Land at Red Sea International Film Festival 2025

Laura Della Corte

“When you live with someone with a harsh mental illness, you can really sink with them”: Zain Duraie and Alaa Alasad on Sink at Red Sea International Film Festival 2025

Laura Della Corte

“It felt quite absurd to be part of that social jungle”: Sara Balghonaim on Irtizaz at Red Sea International Film Festival 2025

Laura Della Corte

Red Sea International Film Festival 2025: Highlights and interviews with Juliette Binoche, Shigeru Umebayashi, Sir Anthony Hopkins, Idris Elba, and More

Laura Della Corte

“All that matters, I think, is the partnership”: Amira Diab on Wedding Rehearsal at Red Sea International Film Festival 2025

Laura Della Corte

“Modern love – it’s a bit dark”: Anas Ba Tahaf and Sarah Taibah on A Matter of Life and Death at Red Sea International Film Festival 2025

Laura Della Corte

“I believe inside each human being there is an artist”: Mohamed Jabarah Al-Daradji, Hussein Raad Zuwayr and Samar Kazem Jawad on Irkalla – Gilgamesh Dream

Laura Della Corte