The Upcoming
  • Cinema & Tv
    • Movie reviews
    • Film festivals
      • Berlin
      • Tribeca
      • Sundance London
      • Cannes
      • Locarno
      • Venice
      • London
      • Toronto
    • Show reviews
  • Music
    • Live music
  • Food & Drinks
    • News & Features
    • Restaurant & bar reviews
    • Interviews & Recipes
  • Theatre
  • Art
  • Travel & Lifestyle
  • Literature
  • Fashion & Beauty
    • Accessories
    • Beauty
    • News & Features
    • Shopping & Trends
    • Tips & How-tos
    • Fashion weeks
      • London Fashion Week
      • London Fashion Week Men’s
      • New York Fashion Week
      • Milan Fashion Week
      • Paris Fashion Week
      • Haute Couture
  • Join us
    • Editorial unit
    • Our writers
    • Join the team
    • Join the mailing list
    • Support us
    • Contact us
  • Competitions
  • Facebook

  • Twitter

  • Instagram

  • YouTube

  • RSS

Venice Film Festival 2017

West of Sunshine

Venice Film Festival 2017: West of Sunshine | Review
7 September 2017
Lindsay Bellinger
Avatar
Lindsay Bellinger
7 September 2017

Movie and show review

Lindsay Bellinger

West of Sunshine

★★★★★

Links

FacebookWebsite

Special event

Catharsis and a man’s attachment to his automobile are two overarching themes that are introduced in the opening scene of West of Sunshine. The blue colour palate in the first sequence and the use of running water foreshadow Jimmy’s (Damian Hill) dreary and unlucky day, which is about to unfold. His troubles stem from his gambling and his need to pay back a loan shark on the same day he needs to deliver packages for work and care for his estranged son Alex (Tyler Perham). Jim’s prized possession, his pristine vintage car, has been his primary focus rather than his family.

In his debut feature, Australian writer-director Jason Raftopoulos allows a full four minutes to pass before any speech enters the story. If only the entire narrative could be told through the images and soundtrack rather than the poorly constructed dialogue. Hill’s delivery is not that believable and takes away from the interesting camera angles and great cinematography provided by director of photography Thom Neal. The images and music are given a front seat to conversation but that isn’t enough to make up for some strange lines.

Jim’s precious car moves the plot along not only physically but also emotionally. It’s unfortunate that the big climactic scene is a bit of a letdown, with unrealistic direction and odd editing. A script doctor should have cleaned up the dialogue and made the interaction between Jim and bad guy Banos (Tony Nikolakopoulos) more tense, more something, just more.

Some of the most memorable moments are when Jim and his son are travelling around in his beautiful car, delivering a variety of packages around Melbourne’s West. The camera framing and sun-drenched lighting are spot on and the interactions with an array of people make for interesting storytelling. The shots in and around Jim’s car are well-paced and reflect its importance in his world; one camera placement shooting the car’s wheels is a fun choice.

As this is an indie film, there seems to be some sort of gritty or lesser quality to the shots. The images, while very moving and convincing, occasionally look cheap, which is probably a purposeful choice. It will be fascinating to see where Raftopoulos’s filmmaking career goes from here after his impressive premiere in the Orizzonti section at the 2017 Venice Film Festival. At least, visually speaking, his feature debut is a success and it would be nice to see him direct something penned by a more seasoned screenwriter.

★★★★★

Lindsay Bellinger

West of Sunshine does not have a UK release date yet.

Read more reviews from the festival here.

For further information about the 74th Venice Film Festival visit here.

Watch the trailer for West of Sunshine here:

Related Itemsreviewvenice film festival

More in Film festivals

Honk for Jesus. Save Your Soul.

★★★★★
Matthew McMillan
Read More

“I think I’m kind of a drug addict for image and sound coming together! I’m always putting images to sound and getting high”: An interview with Hlynur Pálmason, director of Godland

Selina Sondermann
Read More

Watcher

★★★★★
Matthew McMillan
Read More

Resurrection

★★★★★
Matthew McMillan
Read More

Sharp Stick

★★★★★
Matthew McMillan
Read More

Leyla’s Brothers: An interview with Saeed Roustayi

Selina Sondermann
Read More

Plan 75: An interview with director Chie Hayakawa

Selina Sondermann
Read More

Falcon Lake: An interview with director Charlotte Le Bon

Selina Sondermann
Read More

“How to make a genuine portrait of life”: An interview with the stars of Leila’s Brothers

Selina Sondermann
Read More
Scroll for more
Tap

Movie and show review

Lindsay Bellinger

West of Sunshine

★★★★★

Links

FacebookWebsite

Special event

  • Popular

  • Latest

  • TOP PICKS

  • Africa Fashion at the V&A
    ★★★★★
    Art
  • Beauty and the Beast: The Musical at London Palladium
    ★★★★★
    Theatre
  • St Vincent at the Hammersmith Apollo
    ★★★★★
    Live music
  • Netflix Walking Tour: From Bridgerton to The Crown, a free walking tour through the filming locations
    Cinema & Tv
  • Minions: The Rise of Gru
    ★★★★★
    Movie review
  • The Railway Children Return
    ★★★★★
    Movie review
  • Eric Ravilious: Drawn to War
    ★★★★★
    Movie review
  • Beauty and the Beast: The Musical at London Palladium
    ★★★★★
    Theatre
  • The Terminal List
    ★★★★★
    amazon
  • Baymax!
    ★★★★★
    disney
  • The Railway Children Return
    ★★★★★
    Movie review
  • Beauty and the Beast: The Musical at London Palladium
    ★★★★★
    Theatre
  • St Vincent at the Hammersmith Apollo
    ★★★★★
    Live music
  • Netflix Walking Tour: From Bridgerton to The Crown, a free walking tour through the filming locations
    Cinema & Tv
  • Africa Fashion at the V&A
    ★★★★★
    Art
The Upcoming
Pages
  • Contact us
  • Join mailing list
  • Join us
  • Our London food map
  • Our writers
  • Support us
  • What, when, why
With the support from:
International driving license

Copyright © 2011-2020 FL Media

Venice Film Festival 2017: Mother! is Darren Aronofsky’s descent into madness | Review
Venice Film Festival 2017: Under the Tree | Review