Culture Theatre

People, Places and Things at Trafalgar Theatre

People, Places and Things at Trafalgar Theatre | Theatre review

“Truth is difficult when your job is to lie for a living,” so utters Emma (Denise Gough) in Jeremy Herrin’s mesmerising staging of Duncan Macmillan’s People, Places and Things. Back for a limited 14-week run, with Gough reprising her role from the original 2015 production, Herrin creates a multisensory experience that fuses frenetic set pieces with the profundities of the written word.

Gough gives a harrowing performance as Emma, an out-of-work actress in the throes of an existential crisis. Drink and drugs provide the only semblance of stability in her life, which she deems an incessant death march into inevitable nothingness. Seeking some form of redemption through in-patient treatment, Emma’s very existence in rehab is a kind of performance in itself. Initially unwilling to confront her own reality, she borrows from literary works in fashioning a persona more palatable to her fellow patients, particularly the charming Mark, played by the exemplary Malachi Kirby. While engaging in this fantasist role, Emma often breaks the fourth wall, urging the audience to ruminate on the performative nature of the everyday.

Herrin’s staging is a sensory nightmare; the audience is plunged into darkness with Emma, as Matthew Herbert’s discordant, industrial-style score reverberates through the theatre. A powerhouse performance by Gough encapsulates the visceral reality of withdrawal; symbolised by myriad doppelgangers who take to the stage, Emma’s sense of self is constantly fragmented while her body – in writhing agony – adjusts to its newfound, sober existence. Flitting between frantic interpretive dance and resonant soliloquies, Gough’s indefatigable physicality on stage is extraordinary to witness.

A terrifyingly realistic portrayal of substance misuse, People, Places and Things humanises those most downtrodden in society. At a time when individuals suffering from mental illness are being demonised by those in the highest echelons of power, used as scapegoats and pawns in the Conservative government’s increasingly merciless culture war, the play is a heartfelt plea for compassion. When Emma laments that there are wars going on in the world, her illness supposedly trivial in comparison, one can’t help but be reminded of the kind of reactionary, finger-wagging rhetoric used to minimise the severity of addiction, and, indeed, any mental illness. People, Places and Things is an outstanding – and sobering – meditation on the demons dormant in everyone.

Antonia Georgiou
Images: Marc Brenner

People, Places and Things is at Trafalgar Theatre until 10th August 2024. For further information or to book visit the theatre’s website here.

More in Theatre

A Midsummer Night’s Dream at Southwark Playhouse

Natallia Pearmain

Cow | Deer at the Royal Court Theatre

Francis Nash

Every Brilliant Thing at Soho Place

Cristiana Ferrauti

Seagull: True Story at Marylebone Theatre

Jim Compton-Hall

Swag Age in Concert at Gillian Lynne Theatre

James Humphrey

“I’m able to speak and direct from a place of absolute and utter truth”: Sideeq Heard on Fat Ham at Swan Theatre

Cristiana Ferrauti

Storehouse at Deptford Storehouse

Benedetta Mancusi

The Switchboard Project at Hope Theatre

Thomas Messner

Deaf Republic at the Royal Court Theatre

Jim Compton-Hall