Tucked away behind Finsbury Park Station, Park Theatre – a veritable embryo when...
Alan Ayckbourn’s 1969 play, How the Other Half Loves,...
In the basement of a pub on Stoke Newington High Street a crowd waits. The...
Riding the Low are self-declared players of rock’n’roll. They are...
Arthur Miller is arguably the American playwright of the mid-20th Century and,...
Stepping onto the well-trodden stage of the Lexington, Annelotte de Graaf,...
The Tabernacle, KT Tunstall informs us, has a noise policy. Therefore, if she turns...
Billed as Secret Cinema for music, Trespass aims to offer an...
When Frances steps on-stage, a mass of ginger curls and a beaming smile, she looks...
Monday nights weren’t made for rock‘n’roll, or so they say; but a performer worth...
Shakespeare’s Globe’s programme continues into a windy, wet winter season with a brand-new musical version of Pinocchio. Despite the occasional darker story beats that draw from Carlo Collodi’s 19th-century original Adventures of Pinocchio, Sean Holmes’s production is a superb retelling that delivers sheer wittiness, deft stagecraft, and heartfelt sincerity. The story of...
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