Nye at the National Theatre
A man in pyjamas sits atop a lonely bed at stage centre, cradling the heaving, wheezing figure of…
By Thomas MessnerA man in pyjamas sits atop a lonely bed at stage centre, cradling the heaving, wheezing figure of…
By Thomas MessnerLove in a time of discord and division, love as the sole true clarity, love as an action…
By Thomas MessnerUpon entering the Bridge Theatre’s new production of A Midsummer Night’s Dream, one – if granted the mixed…
By Thomas MessnerFor any musical tribute act, the primary hurdle is the simple and inescapable fact of the tribute subject’s…
By Thomas MessnerWithin its first, deceptively tranquil shot, Icelandic director Runar Runarsson’s fourth feature is imbued with an irrecoverable sense…
By Thomas MessnerFor anyone who has had a prior brush with improvised theatre, one knows the defining quality of improv…
By Thomas MessnerAt this point in time, so dependable is the Mischief Theatre brand, so firmly cemented over the course…
By Thomas MessnerAt the outset, Tim Crouch makes an unassuming entrance to a brightly lit stage, promptly inviting a member…
By Thomas MessnerSave for a lamp whose large cable snakes inelegantly across it, the spare stage design of director Michael…
By Thomas Messner“What the hell do you think spies are?!” When Richard Burton spits that they are merely “a bunch…
By Thomas Messner