The Piano Lesson
Boy Willie Charles is both a troublemaker and smooth talker, a braggart kept afloat on waves of self-belief…
By Thomas MessnerBoy Willie Charles is both a troublemaker and smooth talker, a braggart kept afloat on waves of self-belief…
By Thomas MessnerIt almost seems too easy. When faced with the question of just how Armando Iannucci would go about…
By Thomas MessnerAs told by those on the other side of the experience, often the easiest way to end up…
By Thomas MessnerFrom taking a single look at Mother (Amy Adams), one might surmise that societal expectations and the myth…
By Thomas MessnerIn the face of widespread public and institutional hostility, an intrepid trio with "right" on their side and…
By Thomas MessnerAs perplexing as it is hypnotic, The Quay Brothers’s disorienting new stop-motion fever dream is the kind of…
By Thomas MessnerIt’s about time. Eephus, that is. And also Eephus. The title of this spare, featherlight ramble of a feature…
By Thomas MessnerWithin its first, deceptively tranquil shot, Icelandic director Runar Runarsson’s fourth feature is imbued with an irrecoverable sense…
By Thomas MessnerAs Duong Dieu Linh’s feature debut begins, the first spectre on hand is not supernatural in nature at…
By Thomas Messner“I wanted a normal child! Normal! I’m ashamed!” It’s an ugly sentiment for the parent of a child…
By Thomas Messner