The Edinburgh Fringe Festival is known as a hub of culture, wonder and niches. Home to ex-contestants from…
By Mae TrumataCrystal Palace Park has a kind of faded, expansive grandeur that was enhanced by the scorched grass the…
By Jessica WallDavid Leitch’s latest film, Bullet Train, fits very neatly amongst the rest of his filmography. Following an ensemble…
By Matthew McMillanThere are few stormy moments in director Sean Holmes’s new production of The Tempest for Shakespeare’s Globe Theatre.…
By James HumphreyStranger Things meets Tragedy Girls in Amazon Prime’s Paper Girls, an adaptation of the comic series by Brian…
By Mae TrumataCS Lewis’s 1950 book has inspired many an adaptation. The Lion, the Witch and the Wardrobe now returns…
By Mersa AudaThe artist’s departure from 2016’s Lemonade on this latest project could not be more marked – from gentle-paced…
By Sylvia UnermanIn the programme notes for this New Victoria transfer, it is strange that the writers fully outline the…
By Francis NashIn Thirteen Lives, director Ron Howard turns his attention to the remarkable true story of a group of…
By Andrew MurrayWho says life in a nunnery has to be boring? At the convent of the Little Sisters of Our…
By Cristiana Ferrauti
