Cannes
L’Amant Double (The Double Lover): An interview with Marine Vacth
Marine Vacth stars in François Ozon’s L'Amant Double as Chloe, a young woman who is in a relationship with her…
By The editorial unitInterviews
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Cannes
L’Amant Double (The Double Lover): An interview with François Ozon
Director François Ozon's latest feature, L'Amant Double, tells the story of Chloe, who begins a relationship with her therapist,…
By The editorial unit
Cannes
Redoutable: An interview with Stacy Martin
Stacy Martin stars as the actress and novelist Anne Wiazemsky in Michel Hazanavicius's latest feature, Redoubtable. The film follows Wiazemsky's relationship with…
By The editorial unit
Cannes
Redoutable: An interview with Louis Garrel
Louis Garrel stars as Jean-Luc Godard in Redoubtable, a biographical drama about the relationship between the director and the…
By The editorial unit
Cannes
Redoutable: An interview with director Michel Hazanavicius
Redoubtable is the latest film from director Michel Hazanavicius, a biopic about filmmaker Jean-Luc Godard and his relationship with Anne Wiazemsky.…
By The editorial unit
Cannes
Based on a True Story: An interview with Roman Polanski
Based on a True Story is the adaptation of a book, published in 2015, by Delphine De Vigan.…
By The editorial unit
Cannes
Hikari (Radiance): An interview with Naomi Kawase
Radiance is the latest feature from Japanese director Naomi Kawase. It has been shown in competition at this…
By Joseph Owen
Cannes
120 Battements par Minute (120 Beats per Minute): An interview with director Robin Campillo
120 Beats per Minute is the latest feature from French director Robin Campillo. It has been shown in…
By Joseph Owen
Cannes
Visages, Villages (Faces, Places): An interview with director Agnès Varda and photographer JR
Visages, Villages is a collaboration between Cannes favourite Agnès Varda and photographer and artist JR. The film has…
By Joseph Owen
Cannes
Jupiter Holdja (Jupiter’s Moon): An interview with director Kornél Mundruczó
Jupiter’s Moon is a genre-splicing, expansive evaluation of religion, Hungary and the refugee crisis. The film has been…
By Joseph Owen