LATEST ARTICLES

• 

  Read More
  Berlinale

  Bad Tales (Favolacce)

  ★★★★★

  Bad Tales matches the grim determinism of its title. Bad things have...

  Joseph Owen 28th February 2020
• 

  Read More
  Berlinale

  “The film is my process of accepting my father”: An interview with Digger director Georgis Grigorakis and actor Argyris Pandazaras
  Selina Sondermann 28th February 2020
• 

  Read More
  Berlinale

  Onward

  ★★★★★

  Heartwarming and magical in every aspect, in Onward Pixar offers us a fresh new...

  Cristiana Ferrauti 28th February 2020
• 

  Read More
  Berlinale

  Undine press conference: Improvisation, underwater scenes and nine-to-five serial killers

  It was at the end of production for...

  Oliver Johnston 28th February 2020
• 

  Read More
  Berlinale

  Never Rarely Sometimes Always

  ★★★★★

  There’s a meticulously delicate balance involved in...

  Oliver Johnston 28th February 2020
• 

  Read More
  Berlinale

  Berlin Alexanderplatz

  ★★★★★

  An emancipated adaptation of the 1929 novel by Alfred Döblin,...

  Oliver Johnston 27th February 2020
• 

  Read More
  Berlinale

  Charlatan (Šarlatán)

  ★★★★★

  Charlatan is based on the true story of Czechoslovakian herbalist and...

  Jessica Wall 27th February 2020
• 

  Read More
  Berlinale

  The Woman Who Ran (Domangchin yeoja)

  ★★★★★

  Taken at face value, the gentle, meandering exchanges...

  Oliver Johnston 27th February 2020
• 

  Read More
  Berlinale

  “Great art allows you to put yourself into it”: An interview with Last and First Men cinematographer Sturla Brandth Grøvlen
  Selina Sondermann 27th February 2020
• 

  Read More
  Berlinale

  DAU. Natasha press conference: The bizarre alternate reality of the DAU project

  The magnitude of the DAU project, which...

  Oliver Johnston 26th February 2020