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  Cannes

  “In the last ten years, First Nations stories have become more acceptable”: Wayne Blair and Deborah Mailman on The New Boy
  Selina Sondermann 23rd May 2023
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  Cannes

  If Only I Could Hibernate

  ★★★★★

  The title of the first Mongolian film to play in the official...

  Matthew McMillan 23rd May 2023
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  Cannes

  Club Zero

  ★★★★★

  Austrian writer and director Jessica Hausner practically has a season ticket to...

  Selina Sondermann 23rd May 2023
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  Cannes

  Project Silence

  ★★★★★

  Cannes’s Midnight section offers the biggest head-scratchers of this...

  Selina Sondermann 23rd May 2023
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  Cannes

  Anatomy of a Fall (Anatomie d’une Chute)

  ★★★★★

  As the first week of the 76th Cannes comes to...

  Selina Sondermann 23rd May 2023
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  Cannes

  “Banel is a woman who fights to exist and live her passion in total freedom”: Ramata-Toulaye Sy on Banel & Adama
  Sarah Bradbury 23rd May 2023
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  Cannes

  “Never stop questioning”: Lubna Playoust on Room 999

  Room 999 is the documentary feature debut from...

  Sarah Bradbury 23rd May 2023
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  Cannes

  Lost in the Night (Perdidos en la Noche)

  ★★★★★

  Three years after the suspicious disappearance of...

  Selina Sondermann 23rd May 2023
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  Cannes

  “Why place refugees in deprived areas where the social infrastructure is already under pressure?”: Ken Loach on The Old Oak
  The editorial unit 22nd May 2023
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  Cannes

  Firebrand

  ★★★★★

  Even if Jude Law’s somewhat ruggedly attractive voice doesn’t always lend...

  Matthew McMillan 22nd May 2023