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Venice
Autobiography
★★★★★
An assured debut feature from Indonesian filmmaker Makbul Mubarak after a trio...
Matthew McMillan 3rd September 2022
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Venice
Athena
★★★★★
There’s no better place to experience a movie than at its festival debut....
Filippo L'Astorina, the Editor 2nd September 2022
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Venice
Tár
★★★★★
Should there be any lingering doubts about Cate Blanchett’s acting prowess, the...
Filippo L'Astorina, the Editor 2nd September 2022
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Venice
Living
★★★★★
At a festival where the selection comprises exclusive premieres, Living stands out as...
Laura Denti 1st September 2022
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Venice
White Noise
★★★★★
It’s often been said that White Noise is unfilmable. Taking on such a...
Filippo L'Astorina, the Editor 1st September 2022
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Cannes
Honk for Jesus. Save Your Soul.
★★★★★
A provocatively intriguing title if there ever was one, Honk...
Matthew McMillan 14th June 2022
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Cannes
“I think I’m kind of a drug addict for image and sound coming together! I’m always putting images to sound and getting high”: An interview with Hlynur Pálmason, director of Godland
Selina Sondermann 13th June 2022
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Film festivals
Watcher
★★★★★
Watcher, the debut directorial feature from Chloe Okuno, deftly straddles the past and...
Matthew McMillan 13th June 2022
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Film festivals
Resurrection
★★★★★
Andrew Semans’s Resurrection, which closes a 10-year gap on his first feature,...
Matthew McMillan 10th June 2022
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Film festivals
Sharp Stick
★★★★★
The art of portraying vacuous characters on screen is a tricky beast. The best...
Matthew McMillan 9th June 2022