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Cannes

The Meyerowitz Stories

Noah Baumbach seems to have transformed himself into an indie heir of the Woody Allen of the 70s…

By The editorial unit
Cannes

Le Vénérable W (The Venerable W)

Barbet Schroeder completes his Trilogy of Evil with a sharp excoriation of Ashin Wirathu, The Venerable W of the…

By Joseph Owen
Cannes

Promised Land

There has yet to be a great film about Donald Trump. Perhaps it’s just too soon. Eugene Jarecki’s…

By Sam Gray
Cannes

Redoubtable

Why does Redoutable exist? Godard has always held sway over French cinematic culture – and for good reason…

By Sam Gray
Cannes

Filmworker

The story of Leon Vitali is difficult to pinpoint. On the one hand, he lived a sad life…

By Joseph Owen
Cannes

A Prayer Before Dawn

While the worlds of boxing and prison have separately – and repeatedly – been mined for good cinematic…

By Sam Gray
Cannes

The Rider

When you look at a culture from the outside, it can seem like a whole other world. Most…

By Sam Gray
Cannes

Lerd (A Man of Integrity)

If there were a drinking game for a thematically perfect Cannes entry, you wouldn’t be able to see…

By Joseph Owen