Berlinale
El teatro de la desaparición (The Theatre of Disappearance)
A heady case of contemplative agony is the dominant feeling post-viewing. The Theatre of Disappearance is one of…
By Zoe Tamarareview
Latest
Berlinale
Bamui haebyun-eoseo honja (On the Beach at Night Alone)
South Korean auteur Hong Sangsoo may have made his most honest and introspective film yet. Bamui haebyun-eoseo honja…
By Lindsay Bellinger
Berlinale
Toivon tuolla puolen (The Other Side of Hope)
The refugee crisis has shaken Europe to its core. It has reconfigured the political landscape as well as…
By Sean Gallen
Berlinale
Cuatreros (Rustlers)
Memory and truth. The truth that Argentinian director Albertina Carri (also co-producer, writer and narrator) seeks in her…
By Lindsay Bellinger
Berlinale
Últimos días en la Habana (Last Days in Havana)
When news broke out that Cuba would open itself up to the world, and in particular to America,…
By Sean Gallen
Berlinale
In Zeiten des abnehmenden Lichts (In Times of Fading Light)
The poetic title here refers to the Russian term for early autumn – when the days become shorter and…
By The editorial unit
Berlinale
Mittsu no hikari (Three Lights)
This is the world premiere of Mittsu no hikari (Three Lights), the fourth feature film by Japan’s Kohki Yoshida,…
By Alissa Rubinstein
Berlinale
Logan
What a different X-Men cinematic universe it would have been if Mission: Impossible II had not gone over…
By Oliver Johnston
Berlinale
Masaryk (A Prominent Patient)
From the land that produced such greats as Milos Forman, this year’s big Czech contribution to the Berlinale…
By The editorial unit
Berlinale
Maudie
2017 may be the year we witness peak biopic fatigue as it has become the most exhausted genre,…
By Sean Gallen