Culture Theatre

I See You at the Jerwood Theatre Upstairs

I See You at the Jerwood Theatre Upstairs | Theatre review

It’s been an exciting few months for Noma Dumezweni. She delivered an outstanding performance when she replaced Kim Cattrall last minute in the Royal Court’s production of Linda, and she was cast as Hermione Granger in Harry Potter and the Cursed Child. Shen is now making her directorial debut with post-apartheid commentary, I See You by Mongiwekhaya.

Ben, a young law student at Wits University, meets Skinn, described as a “totally Zef Afrikaner girl”, and the two get pulled over by policemen who suspect they’ve been drinking and driving. One of the officers, Buthelezi, a former freedom fighter, is struggling with his failed marriage; his cynicism offers a menacing and alarming insight into the racial and cultural dissent within the post-apartheid regime.

Language and dialect play an incredibly significant role in this gripping production, co-produced by Johannesburg’s Market Theatre. “I see you,” a very common Zulu greeting, acknowledges a companion as well as sparks the growing tension associated with South Africa’s corrupted history. Ben, an innocent born after apartheid, serves as the figure of the reformed South Africa – a modern mould oblivious to his heritage and its cultural and linguistic complexities. Bayo Gbadamosi delivers a thoughtful and empathetic performance as Ben, contrasting with Desmond Dube’s volatile, plagued Officer Buthelezi. The tormenting scenes are a harrowing visualisation of the struggle between loyal black citizens and the newer generation of educated black South Africans who choose to use English instead of their mother tongue.

Dumezweni’s production is tense and uncomfortable, particularly in the intimate, enclosed space, with the audience encroaching on three sides. The proximity increases the tension as theatregoers see every bead of sweat and falling tear. This vision of contemporary South Africa is eye-opening, displaying the disconnect between a nation,  its tortured history and its citizens isolated by forgotten language.

Dominique Perrett

I See You is on at the Royal Court Upstairs from 25th February until 26th March 2016, for further information or to book visit here. 

 

More in Theatre

The Midnight Bell at Sadler’s Wells

Christina Yang

King of Pangea at King’s Head Theatre

Dionysia Afolabi

A Midsummer Night’s Dream at Bridge Theatre

Thomas Messner

The Lost Music of Auschwitz at Bloomsbury Theatre

Will Snell

Fiddler on the Roof at Barbican Theatre

Cristiana Ferrauti

The Perfect Bite at Gaucho City of London

Maggie O'Shea

Letters from Max at Hampstead Theatre

Selina Begum

The Frogs at Southwark Playhouse

Jim Compton-Hall

“Technique is only a vessel, what truly moves people is honesty, fragility, courage”: Adam Palka and Carolina López Moreno on Faust

Constance Ayrton