Film festivals London Film Festival 2016

Mãe Só Há Uma (Don’t Call Me Son)

London Film Festival 2016: Mãe Só Há Uma (Don’t Call Me Son) | Review
Public screenings
12th October 2016 9.00pm at Prince Charles Cinema
13th October 2016 12.45pm at BFI Southbank (NFT)

Mãe Só Há Uma (Don’t Call Me Son) is a Brazilian-made movie of a mere 82 minutes in length. A work by Anna Muylaert, who was previously known for 2015’s acclaimed The Second Mother, the film is a brief but dignified discovery into the life of someone who finds out he was stolen as an infant.

That “someone” is Pierre Almeida (Naomi Nero), a teenage boy with an affinity for behaviour, makeup, and clothing that challenge the traditional gender boundaries of society, who has practically no interest in school and partakes in drugs. His life is wildly disrupted when his imposter mother (Dani Nefussi) is jailed for having abducted him and his sister from the hospital. The siblings get separated, and they are obliged to return to their respective families.

Don’t Call Me Son is precisely what you would expect from the title: a struggling adolescent coming to accept the new reality he is in. It is told from Pierre’s – or rather Felipe’s (his real given name at birth) – perspective and therefore might appear dissociative as an accurate reflection of his inner turmoil. Against his will, he must adjust to an enthusiastic new family who finds it challenging to accept his lifestyle themselves.

The movie has a pleasant aesthetic to it, and there is a consistent use of close-ups that are intercepted by shots allowing for the entirety of the action to be taken in. Often seemingly mundane actions are depicted that are mostly focused on being with family. The camera also has a tendency for unsteadiness, like during the disillusioning scene where the extended family holds a welcome party for him.

The performances in Mãe Só Há Uma (Don’t Call Me Son) are solid, and the overbearingness of Pierre’s biological relatives – especially his mother – is a nice approach to get the audience to sympathise with the boy. The movie’s ending conveys this perfectly and is utterly bittersweet.

Kim Varod

Mãe Só Há Uma (Don’t Call Me Son) does not have a UK release date yet.

For further information about the 60th London Film Festival visit here.

Read more reviews from the festival here.

Watch the trailer for Mãe Só Há Uma (Don’t Call Me Son) here:

More in Film festivals

Red Sea International Film Festival 2025: Giant

Laura Della Corte

“It’s really complicated. It’s really hard if you put yourself in his shoes”: Nawaf Al Dhufairi, Raghad Bokhari and Lana Komsany on Hijra at Red Sea International Film Festival 2025

Laura Della Corte

“Why didn’t I raise my voice for the Rohingya people?”: Akio Fujimoto on Lost Land at Red Sea International Film Festival 2025

Laura Della Corte

“When you live with someone with a harsh mental illness, you can really sink with them”: Zain Duraie and Alaa Alasad on Sink at Red Sea International Film Festival 2025

Laura Della Corte

“It felt quite absurd to be part of that social jungle”: Sara Balghonaim on Irtizaz at Red Sea International Film Festival 2025

Laura Della Corte

Red Sea International Film Festival 2025: Highlights and interviews with Juliette Binoche, Shigeru Umebayashi, Sir Anthony Hopkins, Idris Elba, and More

Laura Della Corte

“All that matters, I think, is the partnership”: Amira Diab on Wedding Rehearsal at Red Sea International Film Festival 2025

Laura Della Corte

“Modern love – it’s a bit dark”: Anas Ba Tahaf and Sarah Taibah on A Matter of Life and Death at Red Sea International Film Festival 2025

Laura Della Corte

“I believe inside each human being there is an artist”: Mohamed Jabarah Al-Daradji, Hussein Raad Zuwayr and Samar Kazem Jawad on Irkalla – Gilgamesh Dream

Laura Della Corte