Film festivals Berlin Film Festival 2018

Mariphasa

Berlin Film Festival 2018: Mariphasa
Berlin Film Festival 2018: Mariphasa | Review

Why are we so afraid of the dark? Is it the fear of the unknown? What might be lurking in the shadows or are our imaginations too powerful for their own good? Mariphasa uses darkness as one of its main characters to create a world of confusion and anxiety.

After losing his daughter in a horrific car accident, Paulo (António Júlio Duarte) spends his time as a night watchman in a warehouse and lives with his lover, Luísa (Isabel Abreu), and her toddler son. The mute protagonist lives on tender hooks: riddled with anxiety, haunted by puzzling dreams and wary of his neighbour, Felipe (Albano Jerónimo), who hunts for city animals and abuses his dog.

Writer and director Sandro Aguilar takes a risk by abandoning dialogue as a means to create and propel a conventional narrative. The conversations are mostly functional and superfluous and add very little to the proceedings. The film feeds one vital line of dialogue that reveals the loss of Paulo’s daughter, which acts as a lighthouse in the obscurity, contextualising the action dramatically. Light and shadow reveal clues, faces and locations. Spatial and temporal arranging are fluid and shifting, never quite allowing the audience to get their bearings.

Mariphasa takes place in a world of derelict warehouses, claustrophobic dwellings where the main source of light is harsh and electric, painting the surroundings a sickly orange. The immersive sound design amplifies the taut atmosphere treating our ears to a symphony of industrial and mysterious sounds. The director offers these aural clues as a means to locate oneself in the ambiguous surroundings. This constantly shifting environment creates a palpable window into Paulo’s point-of-view, blurring the lines between reality and his dreams and flashbacks.

This experiment, at times, tests the limits of patience, offering few entry points. Marpihasa is an enticing, cinematic experiment that boldly explores new ways of storytelling.

Sean Gallen

Mariphasa does not have a UK release date yet.

Read more reviews and interviews from our Berlin Film Festival 2018 coverage here.

For further information about the event visit the Berlin Film Festival 2018.

More in Berlinale

“I want everybody to have a discussion”: Mohammed Hammad on Safe Exit at Berlin Film Festival 2026

Laura Della Corte

“It’s an unusual space for a biopic, and that was interesting to me”: Grant Gee on Everybody Digs Bill Evans at Berlin Film Festival 2026

Selina Sondermann

Salvation

Selina Sondermann

Josephine

Selina Sondermann

Yo (Love Is a Rebellious Bird) 

Selina Sondermann

“It’s dedicated to all those men who just kept pressing the gas, thinking they’re moving instead of reflecting”: Assaf Machnes, Ido Tako and Ehab Salami on Where To? at Berlin film festival 2026

Laura Della Corte

“The world around her needs to change”: Liz Sargent on Take Me Home at Berlin Film Festival 2026

Laura Della Corte

“At the end of the day, you try to escape, but you always come back”: Lorenzo Ferro and Lucas Vignale on The River Train at Berlin Film Festival 2026

Laura Della Corte

“If you believe in someone and keep waiting, it means that you have a pure heart to really care”: Yusuke Hirota on Chimney Town – Frozen in Time at Berlin Film Festival 2026

The editorial unit