Culture Theatre Vault Festival

Gobby

Vault Festival 2020: Gobby
Vault Festival 2020: Gobby | Review

Meet Bri (yes, said like the cheese). Bri is a young woman struggling to navigate her way through adulthood. She’s funny. She’s flirty. At times, she’s painfully (and often relatably) awkward. And she brings the audience on a journey, guiding them through five different parties which she believed changed her life at a time when she was just beginning to rebuild it. 

After successful runs at both the Edinburgh Fringe and the Pleasance Theatre, writer/performer Jodie Irvine brings Gobby to the Vaults Festival. The show’s previous success is no surprise, for Gobby proves a piece of masterful storytelling, excellent comedic timing, and above all emotional vulnerability that feels neither forced or overplayed. Such a feat is hard to achieve, and though much of the work’s strength lies in its comedy, the revelation that Bri is recovering from a toxic relationship is skilfully woven into the narrative – leaving room for a powerful message to slip in.​

Irvine shows great promise as both a performer and a writer, portraying a range of different characters (with different accents) to draw the audience in. She does so with ease, warmth and familiarity – the end result leaves you feeling as though you know Bri. Gobby is structured like a conversation with the audience, allowing us to be part of the story too. 

The minimalistic use of both set and props does not spoil the quality of the performance – in fact, it only enhances it. Within the play, balloons, party hats and party poppers are transformed – used to represent a telephone, a flirty partygoer and even dough!  

At heart, Gobby is a tale of self-discovery in the modern age, observing how we deal with heartache, the dangerous side effects of blame and guilt, and the art of self-awareness. Whilst plays that detail how to find yourself can often feel inauthentic, Irvine succeeds where many others do not, making a compelling piece of theatre that’s not to be missed. 

Abbie Grundy

Read more reviews from our Vault Festival 2019 coverage here.

For further information about the event visit the Vault Festival website here.

More in Theatre

RON at Riverside Studios

Sylvia Unerman

Radiohead and Shakespeare collide as Hamlet Hail to the Thief heads to the Barbican

The editorial unit

Shakespeare in the Squares: Love’s Labour’s Lost

Gala Woolley

Bush Theatre hit Tender returns with Francesca Amewudah-Rivers and Nadi Kemp-Sayfi

The editorial unit

Award-winning circus comedy Return of the GODZ returns to Peacock Theatre

The editorial unit

Driftwood at Kiln Theatre

Jim Compton-Hall

White Rabbit, Red Rabbit at Duchess Theatre

Thomas Messner

Julius Caesar by Secret Shakespeare at Reading Abbey Ruins

Cristiana Ferrauti

Are You Watching? at the Royal Court Theatre

Thomas Messner