Culture Interviews Cinema & Tv

“More and more women are creating things for themselves”: Sarah Roy on Zebra Girl

“More and more women are creating things for themselves”: Sarah Roy on Zebra Girl
“More and more women are creating things for themselves”: Sarah Roy on Zebra Girl

The opening scenes of Zebra Girl see the cashmere jumper and pearl earring-clad anti-heroine Catherine stab her unsuspecting partner in the eye with a pink-handled kitchen knife. The protagonist then wraps the bleeding head of her lover’s dead body in a pink towel without so much as batting an eyelid.

This spectacle, combined with the slasher movie camera angles and score sets the tone for what is to come: a blacker-than-coal comic undercurrent and striking visuals punctuated by the key character’s obsession with pink. The story walks a tightrope between irreverent humour and devastating tragedy.

Originally an acclaimed one-woman play performed by Sarah Roy at Edinburgh Fringe in 2017, the tale was reworked for the screen with director Stephanie Zari. The feature brings on board the brilliant Tom Cullen as Catherine’s husband and Jade Anouka as her childhood friend Anita. A bold and original debut, the film’s twists and turns subvert expectations while challenging the stigma around mental illness abuse in a novel way.

We chatted with Roy about taking her performance from stage to screen, how humour can help us tackle taboo issues and overcoming a fear of spiders.

Sarah Bradbury

Zebra Girl is released in select cinemas on 28th May 2021

Watch the trailer for Zebra Girl here:

 

More in Cinema & Tv

Spa Weekend

Antonia Georgiou

South London Film Festival brings UK and world premieres to Brixton for sixth edition

The editorial unit

Claire Foy and Matthew Macfadyen are joined by Karla Crome and Tom Stourton in You Are Here

The editorial unit

Yellowjackets sets November return for its fourth and final season

The editorial unit

Ava DuVernay returns to constitutional history with new documentary 14th

The editorial unit

Kikuyu Land examines the legacy of British colonial land seizures in Kenya

The editorial unit

Shaun the Sheep recruits Nina Sosanya, Paul Whitehouse and Roman Kemp for The Beast of Mossy Bottom

The editorial unit

Hong Kong Film Festival UK returns with 17 UK premieres and Mary Stephen focus

The editorial unit

Sundance-winning Filipiñana heads to UK cinemas this November

The editorial unit