Culture Cinema & Tv Show reviews

Roar

Roar | Show review

The first episodes of Apple TV’s Roar are as vastly diverse as they are wickedly imaginative and genuinely sincere. Helmed by Liz Flahive and Carly Mensch, the creative force behind Glow, and based on the book of the same name by Cecilia Ahern, Roar is an eight-part anthology series that explores different aspects of what it means to be a woman, using a blend of humour and magical realism to mesmerising effect. From a poignant allegory of visibility and race to a Cronenberg-esque body horror, the first half of this series is a wonderfully weird and insightful viewing experience. And if the titles of the other episodes are anything to go by, the rest of the series looks to be just as enthralling.

Roar is Black Mirror through a feminist lens. The show takes problematic aspects of modern life and transforms them into literal representations of the topic at hand. These include a black woman who becomes invisible to the people around her, a mother who eats photographs to retain her mother’s memories, a trophy wife displayed on a shelf, and a mother who’s slowly eaten alive by the stresses of life. There’s nothing especially nuanced or abstract about these metaphors. In fact, it’s the bluntness of their delivery that makes each episode so compelling. No matter how bonkers the plotlines get, the core of each episode’s message is never overshadowed. And viewers will only be compelled to keep watching to see how each of these unique scenarios develops.

As surreal as each self-contained tale gets, however, Roar is never without its sincerity. Driven by an ensemble cast featuring Nicole Kidman, Alison Brie, Betty Gilpin and Cynthia Erivo, every moment is delivered with complete dedication, and it’s this commitment to the roles that keeps these stories grounded and, crucially, brimming with more heart than viewers would expect from a show with such a title. The second episode, especially, offers a devastatingly poignant portrait of motherhood on a subject that’s rarely mentioned.

While its blend of humour and magical realism makes for fascinating viewing, it’s the poignant observations Roar makes during each episode that make this show essential. 

Andrew Murray

Roar is released on Apple TV+ on 15th April 2022.

Watch the trailer for Roar here:

More in Shows

Industry is back this January with new rivalries and global ambition

The editorial unit

Hugh Jackman and Jodie Comer star in dark reimagining The Death of Robin Hood, coming soon to UK cinemas

The editorial unit

Will Ferrell, Natalie Portman and Mark Ruffalo voice award-winning animated feature Arco, landing in UK cinemas this March

The editorial unit

“You don’t get bored watching Steven Knight’s work”: Darci Shaw and James Nelson-Joyce on A Thousand Blows season two

Sarah Bradbury

Hamnet

Mae Trumata

Giant

Laura Della Corte

“In season one they discover they are siblings, and in season two they try to be siblings”: Tomohisa Yamashita, Fleur Geffrier, Sébastien Pradal and Klaus Zimmermann on Drops of God season two

Sarah Bradbury

Waiting for the Out

Andrew Murray

“People don’t associate Agatha Christie with being funny”: Martin Freeman, Chris Chibnall, Mia McKenna-Bruce & Edward Bluemel on Seven Dials

Sarah Bradbury