A Strange Loop at Barbican Theatre
Amidst the vibrant atmosphere of Pride, A Strange Loop emerges as an innovative and groundbreaking musical play by Michael R Jackson, providing a much-needed voice to the marginalised community of Black gay men who face ostracism due to societal, familial and cultural expectations surrounding Black masculinity. Directed by Stephen Brackett, the show revolves around Usher, an usher for The Lion King, and delves into his innermost thoughts as he pursues his lifelong dream of creating a musical and finding success in the bustling city. Through its exploration of themes such as identity, race, sexuality, body image and the complexities of human consciousness, A Strange Loop resonates with audiences far beyond its seemingly niche focus.
Although the language occasionally veers into crass territory, as the audience becomes immersed in the story and musical numbers, the initial discomfort dissipates, allowing the intention behind the script to shine through. Kyle Ramar Freeman delivers a truly remarkable performance as Usher, showcasing his vocal prowess and seamlessly embodying the character’s essence. The fluidity displayed by the entire cast further enhances the experience, with Freeman demonstrating a oneness with his fellow actors portraying his inner thoughts – Sharlene Hector (Thought 1), Nathan Armarkwei-Laryea (Thought 2), Yeukayi Ushe (Thought 3), Tendai Humphrey Sitima (Thought 4), Danny Bailey (Thought 5) and Eddie Elliott (Thought 6) – resulting in a harmonious and captivating collective stage presence. Not only do they flawlessly shadow Usher, but they also take on the challenging roles of his relationships, elevating the show to new heights.
The unity exhibited by the cast, both on and off the stage, is a highlight. Their unwavering support for one another accentuates their strengths while mitigating any individual weaknesses, effectively shielding the audience from any discernible flaws. The profound message of respect and love, both within the performance and behind the scenes, becomes evident as the cast consistently uplifts one another throughout.
Admittedly, there are moments, such as the Inwood Daddy and AIDS is God’s Punishment scenes, which may prove uncomfortable for some viewers. Those unfamiliar with Jackson’s work could interpret them as attacks on religious faith and personal preferences but, rather than being pitfalls, these moments compel the audience to deeply reflect on the sources of their discomfort, encouraging thoughtful introspection.
Ultimately, A Strange Loop delivers a resounding message: regardless of our backgrounds, our beliefs or how we identify, it prompts us to consider the impact of our actions on the world, encouraging us to navigate the intricacies of society with empathy and compassion, eschewing harm and destruction.
Natallia Pearmain
Photo: Marc Brenner
A Strange Loop is at Barbican Theatre from 17th June until 4th September 2023. For further information or to book visit the theatre’s website here.
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