Culture Music Live music

Lady Blackbird at Koko

Lady Blackbird at Koko performing live
Lady Blackbird at Koko | Live review
Shot by Virginie Viche
Michael Bennett Shot by Virginie Viche

Lady Blackbird is the star you hope doesn’t go supernova so that you can keep her a secret. Comparisons to Amy Winehouse are inevitable – there is the same emotional intensity, the same vocal depth – but Blackbird is perhaps a mellower, more soulful artist, with influences from Gladys Knight, Tina Turner and Billie Holiday. Perhaps a better comparison would be the blackbird itself, with its hauntingly musical song. Her voice is that rare thing: unmistakeable. Wearing a cloak and architectural head-dress, she could be a superhero.

Before she was Lady Blackbird, LA-based Marley Munroe sang R&B and alt-rock; these influences are still there, but with her debut, Black Acid Soul, you feel that she has arrived with burning intensity. She doesn’t pull punches, either. The opening, a slow acapella introduction, draws everyone in immediately: you can feel it, between her pauses there is silence. Under the hazy, dreamy purple lighting, she is captivating. Starting the set with a Beatles cover, Come Together, she makes it her own: a rocky, sassy take on a song that it’s now hard to believe was ever sung by a Liverpudlian quartet.

At times she moves back to be with the musicians, listening to them as if she herself is at a concert, and not the main event. At others, her musicians are as captivated as we are.

These songs are lived in. Fix It is a deeply-felt introspective number, accompanied by jazzy bass and piano. Tracks often begin ambiguously – we don’t always get a sense of where they’re going. Beware the Stranger starts ominously, with its percussive off-beat drum and piano interruptions, before transforming to a slinky, funky warning: “I said she’s wanted / Dead or alive / Distinguishing features / She got cold and shifty, shifty, shifty eyes.”

Blackbird ends with the best: the powerful Woman, with its slow, heavy beats (“I’ll do whatever she says / Ever since the dawn of man / Helpless in the hands of a woman”). In terms of a performance such as this, we desperately hope the words of the last song, “It’ll never happen again”, are untrue.

Michael Bennett
Photos: Virginie Viche

For further information and future events visit Lady Blackbird’s website here.

Watch the video for the single here:

More in Live music

Maximo Park at Brixton Academy

Mark Worgan

Fred Again at Alexandra Palace

Selina Begum

Mika at Wembley Arena

Constance Ayrton

Lucio Corsi at Shepherd’s Bush Empire

Paolo Beltrame

Anna of the North at Islington Assembly Hall

Emily Downie

Ash at Scala

Edoardo L'Astorina

Only the Poets at Brixton Academy

Hattie Birchinall

White Lies at the Roundhouse

Daisy Grace Greetham

Henry Grace at Bush Hall

Talitha Stowell