Tender at Bush Theatre

Following a successful run in the Bush Theatre studio, Tender returns for a limited run in its main theatre. Written by Eleanor Tindall and directed by Emily Aboud, the play follows Ash, who, fresh out of a turbulent and suggestively abusive relationship with a controlling and obsessive man, has turned to dating women, and Ivy, who, though in a heteronormative relationship, silently longs to be free of her controlling and sexually coercive boyfriend.

From the outset, the play feels ambitious in scope. It explores a wide range of themes: physical violence, injury and blood, stalking, harassment, sexually coercive behaviour, pornography, abortion, homophobia, biphobia and bi-erasure, and alcohol dependency – but, in a 90-minute show, there is limited time to give each idea the space it deserves. As a result, some themes receive only brief attention, and the breadth of material can leave certain topics feeling underexplored.

Nadi Kemp-Sayfi, reprising her role as Ivy, begins as an intriguing and complex character, and as the play progresses, she gains command of the stage with confidence and finesse. Opposite her, Francesca Amewudah-Rivers tackles the challenge of portraying Ash as well as the two men in the play – Cass and Max. While her initial approach to Ash is understated, she brings sharper comic timing and a stronger sense of authenticity to the role as the character develops, finding moments to stand out throughout the performance.

The show also touches on abortion and the concept of choice – whether it lies with the person carrying or with the partner who impregnated. Though topical and relevant to society, the play approaches this heavy subject in a simplistic way, perhaps leaving some of its complexities unexplored. Perhaps with a larger cast, there might have been greater opportunity to expand on these emotionally resonant moments.

As both a psychological thriller and a rom-com, the play falls short. At times, the psychological tension overshadows the lighter love story between the two main characters, while some thriller elements feel highly predictable. Extended movement breaks, with loud music and repetitive motion, occasionally slow the pacing. Focusing more intently on one genre might have allowed the play to delve deeper into its chosen themes.

As an audience member, there is hope of leaving with something lasting, even if small. Because so many themes are introduced without full exploration, the production may leave some viewers wanting more depth. The strongest criticism is that the play tries to do too much at once, which weakens its impact. With more refinement and a sharper focus on its key themes, this play could become either a beautiful rom-com or a compelling psychological thriller. Giving the story and its themes more space might allow them to grow and resonate even more strongly.

Natallia Pearmain
Photos: Harry Elletson

Tender is at Bush Theatre until 1^st August 2026. For further information or to book, visit the theatre’s website here.