Film festivals London Film Festival 2016

Elle

London Film Festival 2016: Elle | Review

Paul Verhoeven’s sophisticated, twisted shocker Elle reminds us that beneath conventional exteriors can lie skeletons in closets where surprising eccentricities lurk; in this story they reach depths of the bizarre and depraved.

Although on the surface a revenge thriller, the film features complex and ambiguous undercurrents that create shades of grey and paradox. A brutal rape is not reported; the victim, Michèle (played by the eminent Isabelle Huppert), chooses to behave as if nothing happened. She is nonchalant, yet seeks to find the identity of the rapist. It is only by accident that she discovers it, and a strange dance of desire, fetish, dread and violence ensues. A facade of everyday normality disguises dark impulses. Identities are revealed to be complex, with sinister histories that border on macabre humour, the revelation of which clarifies behaviours and reactions.

Combining straight drama, suspense and dark comedy, the viewer is kept off balance throughout. This presentation of the strange lying barely beneath the surface of normal everyday life recalls Bunuel’s films, such as The Discreet Charm of the Bourgeoisie. The family life and adultery narrative that is typical of French films – there is an echo of Woody Allen – is combined with suspense hinting at Hitchcock and Polanski.

Huppert’s performance as a defiant, tenacious woman who refuses to be a victim, yet with a response to victimhood tinged with masochism, is a tour de force. She enacts the revenge she seeks, but courts her aggressor. Partly a hybrid of the French actress’ previous roles, Michèle is a step beyond to greater complexity and nuance, reflected through brilliantly subtle, changing facial expressions. The rest of the cast is also outstanding: Laurent Lafitte as her neighbour Patrick, Charles Berling as Michele’s ex Richard, and Jonas Bloquet who plays her 20-year-old son, Vincent.

Notably superb direction, cinematography, sound and editing synthesise seamlessly to produce a polished, significant work. A controversial and galvanising movie, Elle is witty, insolent and intriguing.

Catherine Sedgwick

Elle is released nationwide on 24th February 2017.

For further information about the 60th London Film Festival visit here.

Read more reviews from the festival here.

Watch the trailer for Elle here:

More in Film festivals

Red Sea International Film Festival 2025: Giant

Laura Della Corte

“It’s really complicated. It’s really hard if you put yourself in his shoes”: Nawaf Al Dhufairi, Raghad Bokhari and Lana Komsany on Hijra at Red Sea International Film Festival 2025

Laura Della Corte

“Why didn’t I raise my voice for the Rohingya people?”: Akio Fujimoto on Lost Land at Red Sea International Film Festival 2025

Laura Della Corte

“It felt quite absurd to be part of that social jungle”: Sara Balghonaim on Irtizaz at Red Sea International Film Festival 2025

Laura Della Corte

“When you live with someone with a harsh mental illness, you can really sink with them”: Zain Duraie and Alaa Alasad on Sink at Red Sea International Film Festival 2025

Laura Della Corte

Red Sea International Film Festival 2025: Highlights and interviews with Juliette Binoche, Shigeru Umebayashi, Sir Anthony Hopkins, Idris Elba, and More

Laura Della Corte

“All that matters, I think, is the partnership”: Amira Diab on Wedding Rehearsal at Red Sea International Film Festival 2025

Laura Della Corte

“Modern love – it’s a bit dark”: Anas Ba Tahaf and Sarah Taibah on A Matter of Life and Death at Red Sea International Film Festival 2025

Laura Della Corte

“I believe inside each human being there is an artist”: Mohamed Jabarah Al-Daradji, Hussein Raad Zuwayr and Samar Kazem Jawad on Irkalla – Gilgamesh Dream

Laura Della Corte