Tones and I’s debut album Welcome to the Madhouse creates a vibe of...
Chris McKay’s The Tomorrow War opens with strong audio to set the short introductory scene....
The Final Stand opens grey and gloomy, cold into action with rain pelting, mud everywhere...
Monica Zanetti’s Ellie and Abbie (and Ellie’s Dead Aunt) is...
Holler begins fast and breathless, the speed of the opening sequence juxtaposing the rest of...
A dark stage fades in from black, before the band are revealed, standing a...
The Theatre Channel Episode 6:...
The Kominsky Method series finale strikes a fair balance in detangling the mess that...
Before the discourse around toxic relationships entered the cultural lexicon, there was the visceral embodiment of toxic co-dependency via Martha and George in Who’s Afraid of Virginia Woolf?. Edward Albee’s seminal play was famously adapted into a film with Elizabeth Taylor and Richard Burton, themselves locked in marital tumult. Now, in Marianne...
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