Subverting the familiar fairytale narrative, The Message (El mensaje) offers a...
Just over a decade after Richard Linklater last appeared at Berlinale and won the...
Kentucky six-piece Cage the Elephant return to the UK for their first tour...
It is essential to highlight Pastor Chris Oyakhilome’s...
Contemplating a vacation in the UK and seeking inspiration for the...
Eloka Ivo is making waves with...
With the global rise of the far-right and their limitation of access to...
The artist as a reluctant idol, detached from the influence they wield, is...
For those with sensitive skin, choosing the right solution for male enhancement...
Streaming and games bring happiness and entertainment, connecting...
In a near future eerily similar to our own, Gabriel Mascaro’s The Blue...
From healthcare to entertainment, artificial intelligence (AI) is now present...
Cryptocurrency has evolved from a niche technology to a...
A certain melancholia lingers over Honey Bunch, the latest from writer-director...
Former congressman Rubens (Selton Mello) and his wife Eunice (Fernanda Torres) lead an...
Ariane Labed has until now been best known for her Volpi Cup-winning role in the...
In the sparkling bathroom of a high-end Seattle building, a cleaning lady...
Musical artists don’t come more self-aware than James Blunt. Celebrating the 20th...
One of the changes under Tricia Tuttle’s first Berlinale is the introduction of...
The 75th edition of the Berlinale seemed set on breaking with stereotypes. Perhaps a shock to many, the Competition film that garnered the most laughs from its international audience was the sole German entry, What Marielle Knows. Even the decision to include Frédéric Hambalek’s sophomore feature and bench more established directors into...
The story of Cinderella has been passed down across the world for...
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