Interviews

A short 20-minute train ride from London...

Chekhov’s The Seagull is a demanding play for its actors: the...

The End of the Night, directed by Ben Brown, is a historical...

John Goldsmith’s The Throne is billed as a “witty and irreverent...

After a three-year hiatus, the extravaganza of fancy footwork,...

The magic of the enchanted castle in Beauty and the Beast...

For the past 27 years,...

Southwark Playhouse hosts another well-rounded show as it further cements itself...

Fantastically Great Women who...

King Lear is, of course, one of Shakespeare’s most challenging – and...

It’s hard to know how to approach reviewing this...

20 years after its last London performance, August Wilson’s Jitney is revived by...

Sir Matthew Bourne’s dance thriller, The Car Man makes a return to the...

BenDeLaCreme famously made her mark...

An ambitious experience with a lot of potential, The Gunpowder Plot would almost...

Returning to London after its initial run as part of the London...

Entangled webs of deceit unroll on the Lyric’s stage in Jean...

Fusing together various genres and moods, Max Wilkinson’s Rainer never comes to...

Critically acclaimed Japanese choreographer...

Tennessee Williams’s The Glass Menagerie is a...

Based on the 2004 film of the same name, Legally Blonde...

Shakespeare’s history play Henry VIII, co-written with John Fletcher,...

Is there ever a situation where murder can be condoned?...