Dylan Thomas’s masterpiece Under Milk Wood is one of the most beloved...

Staging the premiere at the Royal Court...

Yomi Ṣode’s And Breathe… is a meditation on grief embodied and...

Dream logic abounds in The Tempest, which is given an energetic new...

It’s hard to believe that theatres up and down the country have been closed for...

Every science fiction fan relishes the opportunity to be submerged...

Scaramouche Jones is a curious show....

Of the 179 queens who have sashayed their way across the 13...

Life is nothing without memory… but can a life ever be reduced to one...

It’s been over 16 months since the National...

The latest in a long line of homages to the NHS heroes is...

Debuting in London on 28th May, The Death of a Black Man is a...

Amelie, the 2001 film, has an odd reputation. Its whimsical, touristic...

The Theatre Channel Episode 6:...

Sunrise, Jessie Cave’s third sold-out solo show, debuted in 2018...

There is something to be said for the power to make an audience...

Opening online this week with the Sherman Theatre, Lisa Parry’s...

For those looking to disconnect from the ever-online world of the past...

The reopening of all performing arts venues is a...

For three nights only, the Apollo Theatre is being lit up by some...

As the pandemic crippled the theatre world and...

Sadler’s Wells is one of the first venues to reopen following the easing of...

Harm, penned by Bruntwood Prize winner Phoebe Eclair-Powell, is an angsty and illuminating...