LATEST ARTICLES

• 

  Read More
  Venice

  Last Night in Soho

  Visionary filmmaker Edgar Wright delivers yet another cinematic punch...

  Filippo L'Astorina, the Editor 4th September 2021
• 

  Read More
  Venice

  “Robert Plant told me it is important to capture the freneticism of that first year”: Bernard MacMahon and Allison McGourty on Becoming Led Zeppelin
  The editorial unit 4th September 2021
• 

  Read More
  Venice

  Dune

  The year 10191, Planet Arrakis: in an intergalactic universe where a dark emperor...

  Filippo L'Astorina, the Editor 3rd September 2021
• 

  Read More
  Venice

  The Hand of God

  Naples in the mid-1980s: Diego Maradona has chosen Napoli as the next stop...

  Selina Sondermann 3rd September 2021
• 

  Read More
  Venice

  Promises (Les Promesses)

  “A broken promise is not a lie.” This Paul Ekman quote...

  Selina Sondermann 1st September 2021
• 

  Read More
  Venice

  Predators: Pietro Castellitto on the importance of self-reflection, reinvention and leaving space for the unexpected
  Mersa Auda 15th September 2020
• 

  Read More
  Venice

  Pieces of a Woman: Kornél Mundruczó and Kata Wéber on grief, survival and building bridges
  Filippo L'Astorina, the Editor 14th September 2020
• 

  Read More
  Venice

  Mainstream: Gia Coppola on the social media underworld as a space for art

  Mainstream is the story of a young woman stuck working...

  Filippo L'Astorina, the Editor 14th September 2020
• 

  Read More
  Venice

  Mainstream: Nat Wolff on the dangers of social media, Andrew Garfield’s performance and Gia Coppola’s vision
  Filippo L'Astorina, the Editor 14th September 2020
• 

  Read More
  Venice

  Mandibules, an interview with director Quentin Dupieux: “I’d rather make tonnes of small movies than work five years on a big budget”
  Filippo L'Astorina, the Editor 14th September 2020