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Berlinale
Blue Moon
★★★★★

Just over a decade after Richard Linklater last appeared at Berlinale and won the...

Selina Sondermann 19th February 2025
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Cinema & Tv
“We respect the guy, and we’re making a film to protect him and his lifestyle”: Denis Côté on Paul at Berlin Film Festival 2025

Christina Yang 18th February 2025
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Cinema & Tv
“She’s not an idealist, but she has a fight in her”: Petra Volpe and Leonie Benesch on Late Shift at Berlin Film Festival 2025

Christina Yang 18th February 2025
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Berlinale
Mother’s Baby
★★★★★

With the global rise of the far-right and their limitation of access to...

Selina Sondermann 18th February 2025
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Berlinale
After This Death
★★★★★

The artist as a reluctant idol, detached from the influence they wield, is...

Christina Yang 18th February 2025
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Berlinale
If I Had Legs I’d Kick You
★★★★★

Mary Bronstein’s long-awaited return after her 2008...

Christina Yang 17th February 2025
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Berlinale
The Blue Trail
★★★★★

In a near future eerily similar to our own, Gabriel Mascaro’s The Blue...

Christina Yang 17th February 2025
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Berlinale
Honey Bunch
★★★★★

A certain melancholia lingers over Honey Bunch, the latest from writer-director...

Christina Yang 17th February 2025
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Berlinale
Shadowbox
★★★★★

One of the changes under Tricia Tuttle’s first Berlinale is the introduction of...

Selina Sondermann 17th February 2025
Berlin Film Festival 2025: What Marielle Knows | Review
The 75th edition of the Berlinale seemed set on breaking with stereotypes. Perhaps a shock to many, the Competition film that garnered the most laughs from its international audience was the sole German entry, What Marielle Knows. Even the decision to include Frédéric Hambalek’s sophomore feature and bench more established directors into...

Selina Sondermann 17th February 2025