Berlinale
Isabel
There's something alluring about enjoying wine and pretending to be a sybarite, even though we are often unable…
By Jan TraczSpecial
Latest
Berlinale
At the Sea
While scheduling conflicts are certainly possible and some productions can’t easily spare their actors for an overseas jaunt,…
By Selina Sondermann
Berlinale
Forest High
“Unable to be silent, I will be long and still”. Arriving during a hushed poetry recitation, it’s as…
By Thomas Messner
Berlinale
In a Whisper
In a Whisper chronicles the week in which Lilia travels home to Tunisia for her uncle's funeral. Her…
By Selina Sondermann
Berlinale
Wolfram
Warwick Thornton's Wolfram is an indirect sequel to his 2017 Indigenous Western Sweet Country, revisiting themes of Aboriginal…
By Selina Sondermann
Berlinale
We Are All Strangers
Anthony Chen's We Are All Strangers (Wo Men Bu Shi Mo Sheng Ren) emerges as a masterful and…
By Laura Della Corte
Berlinale
Chimney Town: Frozen in Time
It’s a rare and wonderful thing when a sequel not only lives up to its predecessor but manages…
By Laura Della Corte
Berlinale
“As an audience, you’re transported to this mythical jazz age”: Anders Danielsen Lie and Bill Pullman on Everybody Digs Bill Evans at Berlin Film Festival 2026
Everybody Digs Bill Evans premiered this weekend at the 76th Berlin International Film Festival, where it is competing…
By Selina Sondermann
Berlinale
“It’s a time capsule into ordinary women’s lives”: Sophie Heldman on The Education of Jane Cumming at Berlin Film Festival 2026
Sophie Heldman, director of the compelling film The Education of Jane Cumming, presented her work at the Berlinale…
By Laura Della Corte
Berlinale
“You start to have this inner monologue during the day”: Anna Roller and Sylvaine Faligant on Allegro Pastell
Director Anna Roller and lead actress Sylvaine Faligant joined us at the Berlin Film Festival 2026 to discuss…
By Laura Della Corte