Music
In long takes and mostly wide shots, the camera adheres to the contrariness of the Greek landscape: the…
By Selina SondermannIn long takes and mostly wide shots, the camera adheres to the contrariness of the Greek landscape: the…
By Selina SondermannVery little is off the table in director Brandon Cronenberg’s seductively cynical Infinity Pool, starring Alexander Skarsgård and…
By Oliver JohnstonSo many films are too aware of their own noble ambitions, and some reach levels of near indignation…
By Oliver JohnstonHow to sum up acclaimed Portuguese director João Canijo’s latest achievement in a single word? Slow. But using…
By Oliver JohnstonHorror is a genre that invites harsh and fairly definitive (if subjective) reactions: either the work is scary,…
By Oliver JohnstonIt’s difficult to imagine the sort of people who might happily sit down to watch Allensworth in a…
By Oliver Johnston2022’s Berlinale featured the Chinese film Return to Dust, approved and endorsed by the country’s government. Several months…
By Oliver JohnstonNot only is Israeli film director Guy Nattiv a regular at the Berlinale, his work has traversed almost…
By Selina SondermannIt speaks to the immense quality of Past Lives that, despite premiering at Sundance earlier in the year,…
By Selina SondermannThe unconventional structure of director Yui Kiyohara’s Subete no Yoru wo Omoidasu produces an unexpected comparison, recalling 22…
By Oliver Johnston