Berlinale
A Cop Movie (Una película de policías)
Silver Bear for Outstanding Artistic Contribution Fiction and reality playfully scuffle in an evenly-matched fashion in director Alonso…
By Oliver Johnstonberlinale
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Berlinale
Theo and the Metamorphosis (Théo et les métamorphoses)
Whether it’s a Marvel film where marketable superheroes battle some expensive CGI with generically evil plans, or a…
By Oliver Johnston
Berlinale
Celts (Kelti)
Drinking too much, talking about sophisticated things in an unsophisticated manner, pointedly avoiding certain people, showing off a…
By Oliver Johnston
Berlinale
Je Suis Karl
It’s rare that a film seems entirely reverse-engineered from a college politics seminar, but it’s been a strange…
By Joseph Owen
Berlinale
Stop-Zemlia
To be on the cusp of adulthood, where the distinction between childhood and maturity becomes blurred – with…
By Oliver Johnston
Berlinale
“At school, I always asked myself what my teachers were really like as human beings”: Director Maria Speth on Mr Bachmann and His Class
Director Maria Speth spent a number of years working on her latest documentary feature, and the end result…
By Oliver Johnston
Berlinale
“I am not the kind of actor who is really interested in mimicry”: Tom Schilling on Fabian – Going to the Dogs
Tom Schilling is a Berlinale regular. Since 2015 the prolific Berlin actor has been steadily represented at the…
By Selina Sondermann
Berlinale
Tzarevna Scaling (Doch rybaka)
Uldus Bakhtiozina’s glorious film conjures up a dream factory of images, almost functioning as a Russian reinterpretation of…
By Joseph Owen
Berlinale
Short Vacation (Jong chak yeok)
The Berlinale Generation entry Short Vacation tells the story of four young girls participating in the same photography…
By Selina Sondermann
Berlinale
District Terminal (Mantagheye payani)
District Terminal in set a dystopian version of Tehran, where pollution, as well as an unnamed virus, have…
By Selina Sondermann