It may have been autumn 2019 outside Camden’s Roundhouse – leaves littering the pavement the night before Halloween’s outrageous…
By Jessica WallAnnie Baker's The Antipodes is like micro-dosing stories at a corporate campfire. The American playwright – perhaps the…
By Connor CampbellFor Brian Fennell – aka SYML – music is a way to talk about feelings that he otherwise…
By Grace WalshIf we were to keep as much as we like of Kimberley Sykes’s Shakesperian production – as the…
By Cristiana FerrautiThe European premiere of Botticelli in the Fire, directed by Blanche McIntyre, presents writer Jordan Tannahill’s vision of…
By Catherine SedgwickIt's often documentaries that inspire us to make different life choices, whether it's going vegetarian after watching Earthlings…
By Musanna AhmedFollowing a four-year break, Hot Chip returned in June with their seventh album, A Bath Full of Ecstasy.…
By Grace WalshWith a career spanning over 26 years including 500 weeks in the charts, one split and one devastating…
By Bev LungArinzé Kene writes with energy. Coming years before his West-End-via-Bush-Theatre smash Misty, 2011's Little Baby Jesus is three…
By Connor CampbellWords convey more than names or labels for things and actions. Language is a cultural code that encapsulates…
By Cristiana Ferrauti
