Spaceship
The mood of Alex Taylor’s Spaceship might be characterised by one line: "Most of the kids around here…
By Catherine SedgwickThe mood of Alex Taylor’s Spaceship might be characterised by one line: "Most of the kids around here…
By Catherine SedgwickRocking hot at Koko last night – with a super dramatic, cinematic opening – Marianas Trench promised a…
By Catherine SedgwickFor Maximo Park red is not only the colour of love, but of liberation. In the indie-rock event…
By Laura BoyleManwatching is an entertaining monologue that mainly gains its spark by doubling up as a theatrical experiment. Written…
By Mersa AudaWhyte Horses are an elusive musical collective who are notoriously hard to see live; in fact last night's…
By Sophia MossTonight the O2 submerged beneath the waves of electric blue and hot pink neon followed swiftly by a…
By The editorial unitCordelia O’Neill’s second play No Place for a Woman centres on the survival of two women fighting against…
By The editorial unitWhat was that "politics or theatre?" asks Ahmed. In a burst of theatrical energy Occupational Hazards poses questions about…
By Georgie Cowan-TurnerPulling back the curtain has become a popular idiom thanks to the pop culture powerhouse that was The…
By Daniel MastersA peculiarly mesmerising jaunt through 24 hours of life in London’s Soho, Abigail Yeates's circus/theatre production involves dancing,…
By Jim Compton-Hall