Culture Theatre

Continental Fistfight at the Soho Theatre

Continental Fistfight at the Soho Theatre | Comedy review

Comedy duo Rubberbandits’ unnerving stage personas seem to threaten more of a subversive edge to their show that never really arrives. Actually it turns out, beneath the plastic bags that wrap around the duo’s faces balaclava-style, that they’re really quite sweet.

Having racked up millions of views on YouTube and become something of a sensation in their native Ireland, Mr Chrome (real name Bob McGlynn) and Blindboy Boatclub (Dave Chambers) have secured a run at the Soho Theatre for their new musical Continental Fistfight. The duo’s schtick is maybe best summed up as a slightly more crass version of Lonely Island with white-boy comedy rap that skewers the macho bluster of gangsta rap by rhyming about awkward social mores and sexual insecurities.

Joined on stage by Willie O’DJ, an MC who presides over proceedings in a rubber mask of Irish politician Willie O’Dea, the first track out of the bag is I Like to Shift Girls. Backed by a projection of the accompanying music video, it sets the tone for the evening. “Shifting” is slang for kissing, and the lyrics celebrate the advantages of never taking things further than first base.

Continental Fistfight is basically a gig laced together with some knockabout banter between the pair. While the pitter patter never really takes off, most of the songs do hit the mark – in particular, Spoiling Ivan, which may be the group’s finest moment thus far. A winningly catchy bubblegum pop song, it’s a story of a man who befriends a six-year-old boy and yet dashes audience expectations by never offering up a paedophilic punchline. It showcases not only the Rubberbandits’ lyrical dexterity but also their none-too-shabby musical chops.

Sometimes though, the mixture of ironic naivety and borderline bad taste is upset and the show does come slightly unstuck. The Abortion Song falls back onto a subject that has long been a lazy comedian’s go-to, and the penultimate track, which takes the form of a vaudeville knees-up about gay sex, is just crass, and crucially, unfunny.

For the most part though, Continental Fistfight shows the Rubberbandits are more than capable of transplanting their humour onto the stage. As long as the songs remain funny, they have nothing to worry about.

Andrew Drummond

Rubberbandits: Continental Fistfight is at the Soho Theatre until 22nd February 2014, for further information or to book visit here

Watch the video for I Like to Shift Girls here:

More in Theatre

“I’m able to speak and direct from a place of absolute and utter truth”: Sideeq Heard on Fat Ham at Swan Theatre

Cristiana Ferrauti

Interview at Riverside Studios

Chloe Vilarrubi

An Intervention at The Space

Gem Hurley

Camden Fringe 2025: Jimmy Made Parole at Aces and Eights

Maggie O'Shea

Roald Dahl’s The Enormous Crocodile at Regent’s Park Open Air Theatre

Selina Begum

“My first impression of the show was, ‘Wow, this is hot!'”: Jess Qualter on Burlesque at the Savoy Theatre

Maggie O'Shea

The Lion, The Witch and The Wardrobe at Sadler’s Wells

Selina Begum

Camden Fringe 2025: Bound by the Wind at SPID Theatre

Madison Sotos

Twelfth Night, or What You Will at Shakespeare’s Globe

Antonia Georgiou