Culture Theatre

Romeo and Juliet at Sadler’s Wells

Romeo and Juliet at Sadler’s Wells
Romeo and Juliet at Sadler’s Wells | Dance review

Another outstanding performance of the timeless Shakespeare masterpiece Romeo and Juliet, the romantic tragedy is currently being performed by the Scottish Ballet at Sadler’s Wells.

Everyone has the idea in mind of Romeo and Juliet as a 16th century play: you might find yourself surprised to discover that this performance is entirely unique. In fact, choreographer Krzysztof Pastor has decided to set the three acts in the 20th century, evident in both the costumes and settings: cleverly, a slideshow of modern images and videos of a street in Verona is projected as a background.

The music, composed by the brilliant Sergei Prokofiev, is played with vigour by the orchestra. Sometimes pressing and sometimes calm, it matches perfectly with the ballet and the intensity of the plot.

Tybald and Mercutio fighting is perfectly staged, and incredible in its realism. The famous scene at the balcony is a pleasant surprise in its uniqueness: instead of the traditional balcony, there is a three-walled lift with mirrors inside. The dancing throughout is entirely engaging, the dancers’ talent taking the viewer’s breath away.

Emotional and well-crafted, the Scottish Ballet’s Romeo and Juliet follows the success of 2012’s A Streetcar Named Desire. A sold-out performance with an enthusiastic audience, this performance is absolutely brilliant.

Ludovica Uggeri
Photos: Christina Riley

Romeo and Juliet is at Sadler’s Wells until 17th May 2014. For further information or to book visit the theatre’s website here.

More in Theatre

“I feel like I’m exactly where I’m meant to be”: Phoebe Panaretos on Sinatra at Aldwych Theatre

Natallia Pearmain

Flush at Arcola Theatre

Benedetta Mancusi

The Anti “Yogi” at Soho Theatre

Sunny Morgan

Grace Pervades at Theatre Royal Haymarket

Jim Compton-Hall

A Midsummer Night’s Dream at Shakespeare’s Globe

Thomas Messner

Chat Noir at The Lost Estate

Jim Compton-Hall

Secret Shakespeare transforms Julius Caesar into immersive open-air experience at Reading Abbey Ruins

The editorial unit

Alex Wheatle Day to launch at Peckham Fringe celebrating legacy of “Brixton Bard”

The editorial unit

Please Please Me at Kiln Theatre

Maggie O'Shea