Culture Theatre Fringe

Love, Lies and Taxidermy at Summerhall

Ed Fringe 2016: Love, Lies and Taxidermy at Summerhall
Ed Fringe 2016: Love, Lies and Taxidermy at Summerhall | Review

A script jam-packed with hilarious moments, Love, Lies and Taxidermy is a touching boy-meets-girl story with a twist. From taxidermy (the title does not mislead) to porn, no one is left disappointed by the play’s promise of a quirky divergent from the typical love story.

The interaction between the actors is impressively slick and the passing dialogue from one performer to another matches the complicated lighting shifts in a successful capturing of the audience’s attention. The script is simply hilarious, as well as touching and the actors are a true asset to it’s potential. The plot line needs competent players to convince us of its absurd truth, and they succeed without question. The cast must similarly be complimented for their brilliance at performing in the round, making the audience feel constantly included in the story, attended to and involved in the kinetic action, removed from yet still a part of the plot, with colloquialisms directed towards theatregoers at frequent points.

The enthusiasm present is refreshing; a clear love of the production exudes from all taking part as they seem genuinely grateful to be sharing the work they have so beautifully polished. The constant music in the background does provide a sense of atmosphere, but at times it is frustrating as it cancels out some of the dialogue that is so impressively delivered. Perhaps the absence of this would in fact increase the mood, and with a selective dashing of music the piece would no doubt be more emotional. Nonetheless, Love Lies and Taxidermy is a triumph.

Daisy McConnel

Love, Lies and Taxidermy is at Summerhall from 5th until 28th of August 2016, for further information or to book visit here.

More in Theatre

Giffords Circus’ Waterfield at Chiswick House & Gardens

Cristiana Ferrauti

Irish Cultural Centre launches inaugural Shaw Festival celebrating George Bernard Shaw’s legacy

The editorial unit

The Harder They Come at Theatre Royal Stratford East

Benedetta Mancusi

Care at the Young Vic

Maggie O'Shea

Northern Ballet: Gentleman Jack at Sadler’s Wells

Gala Woolley

London Clown Festival marks tenth anniversary with international line-up across Soho Theatre and Jacksons Lane

The editorial unit

Quartet in Autumn at Arcola Theatre

Madison Sotos

Mother Courage and Her Children at Shakespeare’s Globe

Chloe Vilarrubi

The Boy Who Harnessed The Wind at Soho Place

Emilia Gould