Culture Theatre

Out There on Fried Meat Ridge Rd at the White Bear Theatre

Out There on Fried Meat Ridge Rd at the White Bear Theatre | Theatre review

This play is clever, amusing and hugely watchable. The realistic motel room set and the intimate space of the theatre make the experience akin to watching a sitcom as part of a live audience. More than this, Out There on Fried Meat Ridge Rd has the magic necessary for such a show: characters inhabit the stage and in 70 minutes they become familiar to the theatre-goers, who are caught up in their lives, just as they are with those in Friends. At one point, Marlene, a meth-addicted artist, imagines David Schwimmer is in the room, demonstrating the piece’s awareness of the intrusion of popular television characters into our homes. However, this is not just a crass hillbilly farce; like comedy golds such as Father Ted the script plays off the specific location and explores morality through the quirks and customs of the characters, making it a laugh-out-loud human satire.

Set in West Virginia in a motel room, the story follows a day in the life of JD, a kind handyman who, despite his ignorance in some matters – he believed his mother’s tale that his father was Jesus – proves his innate goodness. People are constantly popping into his room to share their troubles or cause drama. Mitch enters this world after reading JD’s advert in the paper for a flatmate. Though it proves to be far from a normal day, the situation is not played as over-the-top. Instead, humour is created through the strength of characterisation and the actors’ ability to respond to each other.

The White Bear pub is an appropriate venue for the production, which is the kind of entertainment perfect after a good meal or drink, and Out There on Fried Meat Ridge Rd leaves the audience feeling both uplifted and entertained. One women said she had not laughed so much in ages, which sums up the experience.

Georgie Cowan-Turner

Out There on Fried Meat Ridge Rd is at the White Bear Theatre from 17th January until 4th February 2017, for further information or to book visit here.

More in Theatre

The Midnight Bell at Sadler’s Wells

Christina Yang

King of Pangea at King’s Head Theatre

Dionysia Afolabi

A Midsummer Night’s Dream at Bridge Theatre

Thomas Messner

Fiddler on the Roof at Barbican Theatre

Cristiana Ferrauti

The Perfect Bite at Gaucho City of London

Maggie O'Shea

The Lost Music of Auschwitz at Bloomsbury Theatre

Will Snell

Letters from Max at Hampstead Theatre

Selina Begum

The Frogs at Southwark Playhouse

Jim Compton-Hall

“Technique is only a vessel, what truly moves people is honesty, fragility, courage”: Adam Palka and Carolina López Moreno on Faust

Constance Ayrton