Culture Theatre

My Name Is Rachel Corrie at Young Vic

My Name Is Rachel Corrie at Young Vic | Theatre review

Bright, sardonic brilliance. My Name Is Rachel Corrie is a gripping show that’s made up of the most intelligent, idealistic and smirk-inducing prose. It is the story of the peace activist and writer told through her own words. Corrie’s writings were first edited to create this one-woman play by the Guardian’s Katharine Viner and the late great Alan Rickman in 2005. The work, now revived for the Young Vic, is marvellous.

We follow Rachel, who grew up in Washington, USA, on the trip she took to Russia that opened her eyes and the time she spent in the Gaza Strip, standing in front of bulldozers and protecting the homes of Palestinians. This is all told through the activist’s own words, pieced together from her journals, notebooks and emails.

The first striking thing about the show is the writing. Though edited by two legends, one of journalism and one of stage and screen, the diaries were written by a very young woman (the latest entries are from when she was just 23). The remarkable mind of Rachel Corrie is mesmerising to see and hear. How can such  a young woman be this talented? Of course, Viner and Rickman have played a huge part in creating a story from Corrie’s words and the result is at once powerfully gripping and ultimately moving.

Erin Doherty plays the young activist. She gives so much life and feeling to the words that one forgets there is even an actor on stage and not just Corrie standing there. Doherty is perfect.

This show is an intelligent, idealistic discussion. It’s a hard-hitting, reach-in-and-violently-yank-your-heart-out piece, and at the same time, it’s a giggle fest. The piece is well worth seeing and just as important as ever because, nearly 15 years after these events, what’s changed?

Jim Compton-Hall
Photo: Ellie Kurttz 

My Name is Rachel Corrie is at the Young Vic from 29th September to 26th October 2017. For further information or to book visit the Young Vic website here.

More in Theatre

Every Brilliant Thing at Soho Place

Cristiana Ferrauti

Seagull: True Story at Marylebone Theatre

Jim Compton-Hall

Swag Age in Concert at Gillian Lynne Theatre

James Humphrey

“I’m able to speak and direct from a place of absolute and utter truth”: Sideeq Heard on Fat Ham at Swan Theatre

Cristiana Ferrauti

Storehouse at Deptford Storehouse

Benedetta Mancusi

The Switchboard Project at Hope Theatre

Thomas Messner

Deaf Republic at the Royal Court Theatre

Jim Compton-Hall

Born with Teeth at Wyndham’s Theatre

Emilia Gould

We Should Have Never Walked on the Moon at Southbank Centre

Ronan Fawsitt