A Midsummer Night’s Dream at Southwark Playhouse
In the heart of central London, A Midsummer Night’s Dream at the Southwark Playhouse offers a lively retelling of Shakespeare’s comedy of lovers, fairies and mistaken identities. Presented as part of the theatre’s Shakespeare for Schools scheme, Toby Hulse’s adaptation places the action in 1905 and combines modern language with Shakespeare’s own words. The result is a fast-paced, family-friendly version that leans heavily into slapstick, mischief and broad comedy.
The production’s strongest thread is its humour. Many gags land with delightful sharpness: physical comedy, farcical misunderstandings and whimsical magical effects combine to keep audiences frequently in stitches. The fairies’ interventions, especially, feel fresh and mischievous, and the mash-ups (of high-Shakespearean language with more colloquial exclamations) give ample opportunities for smart, unexpected laughs. However – and here is where the balance shifts – what initially feels exhilarating sometimes becomes over-extended. Certain comic set-pieces drag slightly, and the repetition of some jokes diminishes their impact over time. The pacing could at times benefit from a little tightening; there are moments when the chaos, though charming, threatens to become redundant.
Visually, the design, effects and magical illusions lend themselves beautifully to the ethereal nature of the play. The staging conjures a world that is vibrant and inventive. Yet at times, the overall tone veers towards infantilism, making it difficult as an adult viewer to separate the piece from pantomime. While this approach may delight younger audiences, it occasionally undercuts the depth and lyricism that Shakespeare’s story can hold.
Amid these oscillations of tone, one performance stands out: Martin Bassindale in his many roles throughout the play, but most especially as Lysander. He demonstrates a range that moves beyond simple comedic caricature. In quieter moments, he inhabits vulnerability; in frantic delight, he displays perfect timing; in transformation, he brings both physicality and nuance. Bassindale becomes an anchor for the audience’s empathy, grounding the piece so that there is always somewhere to return.
Overall, A Midsummer Night’s Dream is funny, spirited and ambitious. It doesn’t always sustain its comedic energy, and at times, the style may prove too young for older audiences. But with its inventive illusions, playful direction and eclectic cast, it remains an engaging and imaginative night at the theatre.
Natallia Pearmain
Photos: Charlie Lyne
A Midsummer Night’s Dream is at Southwark Playhouse from 5th until 27th September 2025. For further information or to book, visit the theatre’s website here.
Watch the trailer for A Midsummer Night’s Dream at Southwark Playhouse here:
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