Culture Art

David Harrison: Flowers of Evil at Victoria Miro Gallery

David Harrison: Flowers of Evil at Victoria Miro Gallery
David Harrison: Flowers of Evil at Victoria Miro Gallery | Exhibition review

If the name is borrowed from Baudelaire, a French poet in 1857, the comparison is inevitable. The pieces in Flowers of Evil seem to  draw from the strong motifs in Baudelaire’s work, where he lyrically arranges concepts like decadence and erotica. Whether that was intentional or not, there is plenty of both across his works.

This is Harrison’s third solo show at the Victoria Miro gallery, but he has been around the London art scene for a lot longer. A graduate of Saint Martin’s School of Art, he is known to pack abstract thought and art on one canvas. The London-based artist has also exhibited in New York (in 2008), as well as Florida, Mexico City and Berlin.

The paintings of David Harrison celebrate femininity in a way that is not subtle and is welcome. The works are thick with strong, lasting imagery. The city’s invasive presence is also laced within, making surprise appearances with varied media.

The peculiar works stand out first, on walking through the gallery: the cat that claims “you can’t kill us” is effused with spirit and humor. On further inspection of other pieces, there is a lot more to be seen, and this is what makes Harrison’s work truly exquisite. There is so much that happens on every inch of the canvas, it is hard to look away. The juxtaposition of revelry coupled with societal concerns like housing developments and hoodie culture, and so much more, all comes alive.

Whimsy, charm and a unique take on the city and its people make Flowers of Evil a must-see.

Roshni Vatnani

David Harrison Flowers of Evil is at the Victoria Miro Gallery from 14th November until 18th December 2015, for further information visit here.

More in Art

Richard Dadd: Beyond Bedlam at The Royal Academy

James White

The Line invites Londoners to explore its free outdoor art trail this summer

The editorial unit

Clare Woods to transform Pitzhanger Manor with new exhibition Garden Without Seasons

The editorial unit

Serpentine to stage major Amar Kanwar exhibition featuring new film installation

The editorial unit

Royal Academy to stage first major Richard Dadd retrospective in more than 50 years

The editorial unit

Luminiscence London at Westminster Cathedral

Cristiana Ferrauti

Frida: The Making of an Icon at Tate Modern

James White

Stories – Brought to Life at Frameless

Cristiana Ferrauti

Henry Moore: Monumental Nature at Kew Gardens

Cristiana Ferrauti