Christina Yang 31st August 2025
Venice
The Last Viking Despite what its title hints at, Anders Thomas Jensen’s The Last Viking...
Christina Yang 30th August 2025
Venice
Frankenstein The first thing that registers in Guillermo del Toro’s Frankenstein is his...
Christina Yang 30th August 2025
Venice
The Holy Boy Paolo Strippoli’s The Holy Boy begins with a comfortably spare premise:...
Christina Yang 30th August 2025
Venice
At Work Valérie Donzelli’s At Work (À pied d’œuvre), adapted from Franck Courtés’s...
Christina Yang 29th August 2025
Venice
No Other Choice Park Chan-wook has never been afraid of taking the mundane and twisting it...
Christina Yang 29th August 2025
Venice
Strange River At first glance, Jaume Claret Muxart’s Strange River has the makings of a...
Christina Yang 29th August 2025
Venice
Jay Kelly Noah Baumbach leaves no doubt about how he wants us to perceive Jay Kelly. In...
Christina Yang 28th August 2025
Venice
La Gioia Nicholangelo Gelormini’s La Gioia offers a meticulous exploration of its titular...
Christina Yang 28th August 2025
Venice
La Grazia Toni Servillo slips effortlessly into presidential tailoring in La Grazia, Paolo...
Christina Yang 27th August 2025
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