Opening the London Wonderground season at a new site in Earls Court (though...
Selected as part of the Quinzaine des Réalisateurs section of...
Having dealt with death and loneliness in his previous piece Still Life, Italian filmmaker Uberto...
Though the Covid pandemic has precipitated an exponential rise in escapist-oriented film,...
Writer/director Elle Callahan’s sophomore movie Witch Hunt has great promise from its narrative...
In Georgian director Nikolay Sarkisov’s debut feature, the audience watches the deterioration of a...
While the title alludes to the near extinction of certain categories of animals, this...
Every science fiction fan relishes the opportunity to be submerged...
As formal critics were resoundingly disapproving of The Hitman’s...
16-year-old Lola (Zaira Romero) meets Carmen (Rosy Rodríguez), a sassy 17-year-old who is...
Shakespeare’s Globe’s programme continues into a windy, wet winter season with a brand-new musical version of Pinocchio. Despite the occasional darker story beats that draw from Carlo Collodi’s 19th-century original Adventures of Pinocchio, Sean Holmes’s production is a superb retelling that delivers sheer wittiness, deft stagecraft, and heartfelt sincerity. The story of...
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