Oliver Johnston

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  Berlinale

  Viceroy’s House

  Always leave them wanting more is an adage that more filmmakers should...

  Oliver Johnston 13th February 2017
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  Berlinale

  The Trial: The State of Russia vs Oleg Sentsov

  A documentary can often fall down upon the...

  Oliver Johnston 12th February 2017
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  Berlinale

  Félicité

  The frenzied, raucous opening scenes of Félicité set the scene for what is...

  Oliver Johnston 12th February 2017
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  Berlinale

  Lolita Chammah: An interview with the star of Barrage

  Although she’s an accomplished actress in her own right, Lolita Chammah...

  Oliver Johnston 12th February 2017
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  Berlinale

  Centaur

  Is it a bit much for a man to believe that he and his fellow...

  Oliver Johnston 12th February 2017
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  Berlinale

  2+2=22 [The Alphabet]

  There can be something enthralling about the use of real cinema in...

  Oliver Johnston 12th February 2017
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  Berlinale

  Vazante

  Life was unforgiving in Brazil back in 1821. It was still a Portuguese colony, but...

  Oliver Johnston 10th February 2017
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  Berlinale

  Es war einmal in Deutschland (Bye Bye Germany)

  To be self-reflective about the dark past of...

  Oliver Johnston 10th February 2017
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  Berlinale

  Barrage

  Young Alba’s mother has not been part of her life for the last ten years....

  Oliver Johnston 10th February 2017
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  Berlinale

  Testről és lélekről (On Body and Soul)

  Cows are the star of some minor yet memorable...

  Oliver Johnston 10th February 2017