Hollywood heavyweights Robert De Niro, Tommy Lee Jones and Morgan Freeman share the screen...
The Final Stand opens grey and gloomy, cold into action with rain pelting, mud everywhere...
As formal critics were resoundingly disapproving of The Hitman’s...
Narration is tricky. When executed well, it’s a nice way to introduce some introspection and...
The premise of Fatherhood is more than serviceable. Based on the bestselling memoir Two Kisses...
TV pilots often have a tendency to be slightly cumbersome and oddly jittery as they...
The feature directorial debut of Arseny Syuhin, The Superdeep follows a team of scientists and...
Palestinian comedy It Must Be Heaven follows its director (Elia Suleiman) from Nazareth to...
Monica Zanetti’s Ellie and Abbie (and Ellie’s Dead Aunt) is...
While it sometimes feels...
Once more unto the breach and into the magical world of musical cinema with another...
The directorial debut of Final Destination screenwriter Jeffrey Reddick, Don’t Look Back...
Netflix has some “gaul” making us wait five months to see the resolution of Lupin’s...
Holler begins fast and breathless, the speed of the opening sequence juxtaposing the rest of...
The lives of two young men are changed forever when a photographer arrives at their...
Bob Odenkirk is an unstoppable force in Ilya Naishuller’s (Hardcore Henry) Nobody. The film opens...
A signal of the return to pre-Covid normality might be the reemergence of the loathsome,...
The 23rd UK Asian Film Festival concludes with the world premiere of...
Marvel’s long-awaited Loki series is finally here, and with it comes the proper introduction of...
Emma Seligman’s debut, an expansion of a short thesis film, is a slim and intermittently...
The opening scenes of Zebra Girl see the...
Damian McCarthy’s debut feature film, Caveat, is a thrilling ride that...
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