Christina Yang
18th May 2025
Cannes
Die, My Love
Lynne Ramsay’s Die, My Love plunges deep into Southern Gothic territory, set...
Christina Yang
18th May 2025
Cannes
Pillion
After the success of his BAFTA-nominated short film Wren Boys, we finally see...
Selina Sondermann
18th May 2025
Andrew Murray
18th May 2025
Cannes
My Mom Jayne
Growing up without a mother is difficult enough. One can’t even begin to...
Selina Sondermann
17th May 2025
Cannes
Dangerous Animals
With Jaws approaching its 50th anniversary, it’s tempting to watch any...
Christina Yang
17th May 2025
The editorial unit
17th May 2025
The editorial unit
17th May 2025
Cannes
Nouvelle Vague
Rather than trying to recreate Godard’s anarchic style, Richard Linklater...
Christina Yang
17th May 2025
Cannes
Renoir
At Cannes’ 2022 edition, Chie Hayakawa’s Plan 75 won a Special Mention for the...
Selina Sondermann
17th May 2025
Christina Yang
17th May 2025
Thomas Messner
17th May 2025
Cannes
Urchin
Harris Dickinson made his Cannes debut three years ago as the lead in Ruben...
Selina Sondermann
17th May 2025
Cannes
Wild Foxes
There’s a primal tension in Wild Foxes (La danse des renards), Valéry...
Christina Yang
17th May 2025
Cannes
The Little Sister
Fatima (Nadia Melliti) is the youngest of three daughters in an Algerian...
Selina Sondermann
17th May 2025
Cannes
The Plague
By all accounts, The Plague could have been another moody coming-of-age tale...
Christina Yang
16th May 2025
Christina Yang
16th May 2025
Christina Yang
16th May 2025
Cannes
The Wave
From its thunderous opening number, The Wave (La ola) makes no attempt to ease the...
Christina Yang
16th May 2025
Cannes
Eddington
With Eddington, the first nameable title premieres in competition at the Cannes...
Selina Sondermann
16th May 2025
Cannes
The Great Arch
Stéphane Demoustier’s The Great Arch is, on the surface, a film about the...
Christina Yang
16th May 2025
Sunny Morgan
16th May 2025
Filippo L'Astorina, the Editor
16th May 2025
Facebook
Twitter
Instagram
YouTube
RSS