Interviews

As Berlinale 2022 draws to a close – finally back in...

Oozing the spirit of the 70s from every pore, Bill Kenwright’s...

Most large cities have neighbourhoods that guidebooks will refer to as...

Formed in 2018, the Skinner Brothers have been unlucky that finding their...

Jeen-Yuhs is a documentary about the life of Kanye West, chronicling his journey from...

The gaze – piercing, inquiring – still stops viewers in their...

The Novelist’s Film is a string of chance...

It is an open secret that Broadway-minded musicals demand more of...

Dog is a somewhat odd film, a take on a well-worn trope with a smidgeon...

Ulrich Seidl is a director who doesn’t mince words – or images. Be it...

There’s no question that any restaurant or café owner...

The worlds of wine and cabaret find a perfect meeting point at...

During a conversation with a man who would dearly (and...

There’s not as much going on in Axiom as the film itself seems to think....

Cannes virtually banned Netflix from their red carpet, while Venice invited...

Likely the most pioneering entry in this year’s competition, Italian...

Since the advent of movies, being entertained has been easy,...

In Catalonian Alcarràs, a large family of fruit farmers is forced to shut down...

Accidents can significantly change people’s lives, leaving them in pain and...

In 2014, the Guardian estimated that some 1,300...

Insistent riffs, steady rhythms pouring in as if from a distance,...

Theatre has a unique ability to be engaging – good theatre doubly so. Never...

Andreas Dresen is a regular at the Berlinale. In 2002...

“Don’t expect to be healed here,” the...

Unrueh (English title Unrest) is authentic in every way. The costumes, sets...