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When Steven Soderbergh returned from a brief (and busy) retirement, no time was wasted in reasserting his standing as perhaps our most industrious mainstream...
Introspective and disarming, with nuanced performances, Rebuilding is a wonderfully magnetic piece...
Though it carries the air of one, Colours of Time is not a film about art...
In a near future eerily similar to our own, Gabriel Mascaro’s The Blue Trail (O Último...
After its ubiquity in the 2000s, the traditional romcom died a death. In addition to...
Angelina Jolie has been noticeably absent from our screens over the past few years, primarily...
Having celebrated its world premiere at the 50th edition of the Toronto International Film...
Jim Jarmusch returns to estrangement and deadpan tension in Father Mother Sister...
Undertone, the new A24 chiller, marks an authoritative directorial debut from writer-director Ian...
Based on Albert Camus’s seminal novella L’Étrange (published in 1942), The Stranger feels like...
There’s undeniable power in cinema that confronts societal...
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